A Trip to Scarborough; and, The CriticSheridan, Richard Brinsley
General
A Trip to Scarborough; and, The Critic
Sheridan, Richard Brinsley
Comedy plays; English drama -- 18th century
DANGLE.
One of the finest discovery-scenes I ever saw!—Why, this under-plot
would have made a tragedy itself.
SNEER.
Ay! or a comedy either.
PUFF.
And keeps quite clear you see of the other. _Enter_ SCENEMEN, _taking
away the seats_.
PUFF.
The scene remains, does it?
SCENEMAN.
Yes, sir.
PUFF.
You are to leave one chair, you know.—But it is always awkward in a
tragedy, to have your fellows coming in in your play-house liveries to
remove things.—I wish that could be managed better.—So now for my
mysterious yeoman. _Enter_ BEEFEATER.
BEEFEATER.
Perdition catch my soul, but I do love thee.
SNEER.
Haven’t I heard that line before?
PUFF.
No, I fancy not.—Where, pray?
DANGLE.
Yes, I think there is something like it in Othello.
PUFF.
Gad! now you put me in mind on’t, I believe there is—but that’s of no
consequence; all that can be said is, that two people happened to hit
upon the same thought—and Shakspeare made use of it first, that’s all.
SNEER.
Very true.
PUFF.
Now, sir, your soliloquy—but speak more to the pit, if you please—the
soliloquy always to the pit, that’s a rule.
BEEFEATER.
Though hopeless love finds comfort in despair, It never can endure a
rival’s bliss! But soft—I am observed. [_Exit_.]
DANGLE.
That’s a very short soliloquy.
PUFF.
Yes—but it would have been a great deal longer if he had not been
observed.
SNEER.
A most sentimental Beefeater that, Mr. Puff!
PUFF.
Hark’ee—I would not have you be too sure that he is a Beefeater.
SNEER.
What, a hero in disguise?
PUFF.
No matter—I only give you a hint. But now for my principal character.
Here he comes—Lord Burleigh in person! Pray, gentlemen, step this
way—softly—I only hope the Lord High Treasurer is perfect—if he is but
perfect! _Enter_ LORD BURLEIGH, _goes slowly to a chair, and sits._
SNEER.
Mr. Puff!
PUFF.
Hush!—Vastly well, sir! vastly well! a most interesting gravity.
DANGLE.
What, isn’t he to speak at all?
PUFF.
Egad, I thought you’d ask me that!—Yes, it is a very likely thing—that
a minister in his situation, with the whole affairs of the nation on
his head, should have time to talk!—But hush! or you’ll put him out.
SNEER.
Put him out; how the plague can that be, if he’s not going to say
anything?
PUFF.
There’s the reason! why, his part is to think; and how the plague do
you imagine he can think if you keep talking?
DANGLE.
That’s very true, upon my word! LORD BURLEIGH _comes forward, shakes
his head, and exit_.
SNEER.
He is very perfect indeed! Now, pray what did he mean by that?
PUFF.
You don’t take it?
SNEER.
No, I don’t, upon my soul.
PUFF.
Why, by that shake of the head, he gave you to understand that even
though they had more justice in their cause, and wisdom in their
measures—yet, if there was not a greater spirit shown on the part of
the people, the country would at last fall a sacrifice to the hostile
ambition of the Spanish monarchy.
SNEER.
The devil! did he mean all that by shaking his head?
Public-domain text, read in full here on John Shaqi.
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