"I know you do. I don't. I want to live in Paris or Vienna with Nora,
and enjoy myself I don't want to paint pot-boilers. I say like the man
in the parable, 'Give me the portion that belongeth to me,' and I'll go
my way, promising, however, not to spend it in riotous living. Won't
that arrangement suit you?"
Wyvis demurred at first, but was finally persuaded into making an
arrangement of the kind that Cuthbert desired. He retained the Red
House, but he bestowed on his brother enough to give him an ample income
for the life that Cuthbert and Nora wished to lead. During his absence
from England, Mrs. Brand and Julian were still to inhabit the Red House.
And Wyvis announced his intention of going to South America to shoot big
game, from which Cuthbert inferred that his heart, although bruised, was
not broken yet.
CHAPTER XXXIV.
FROM DISTANT LANDS.
More than a year had passed away since the events recorded in the last
chapter. Early autumn was beginning to touch the leaves with gold and
crimson; the later flowers were coming into bloom, and the fruit hung
purple and russet-red upon the boughs. The woods about Beaminster had
put on a gorgeous mantle, and the gardens were gay with color, and yet
over all there hung the indefinable brooding melancholy that comes of
the first touch of decay. It was of this that Janetta Colwyn was chiefly
conscious, as she walked in the Red House grounds and looked at the
yellowing leaves that eddied through the still air to the gravelled
walks and unshorn lawns below. Janetta was thinner and paler than in
days of yore, and yet there was a peaceful expression upon her face
which gave it an added charm. She had discarded her black gowns and wore
a pretty dark red dress which suited her admirably. There was a look of
thought and feeling in her dark eyes, a sweetness in her smile, which
would always redeem her appearance from the old charge of insignificance
that used to be brought against it. Small and slight she might be, but
never a woman to be overlooked.
Public-domain text, read in full here on John Shaqi.
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