A United States Midshipman in the South SeasStirling, Yates
General
A United States Midshipman in the South Seas
Stirling, Yates
Oceania -- Juvenile fiction; United States. Navy -- Juvenile fiction
They entered, first slowly, singing a low and slow measure which
increased as their movements quickened, until with a final rush they
threw themselves into a squatting position on the ground facing the
numerous audience.
Great was the applause when an equal number of women suddenly made
their appearance from the opposite direction. Phil watched them
fascinated. On they came with pride and consciousness of exalted
position and importance. They were redolent and glistening with
perfumed oil. Garlands of bright leaves and vivid flowers, wonderfully
made, crowned their flowing locks. Like the men, necklaces from their
beloved bush adorned their graceful necks. About their slender waists
and hanging to the knee were fabulously valuable soft mats, their only
garments. Garlands of green leaves encircled their knees and ankles.
All this Phil knew vaguely before. His eager eyes clung to the leading
dancer’s face and did not leave it to define the marvelous costumes of
those following. The girl was Avao, and leading the Siva-Siva given by
Count Rosen and Kataafa. So surprised was he that he turned suddenly
toward Alice, a question bursting on his lips.
“Wait,” she breathed.
Avao, the Tapau of Ukula, daughter of Tuamana, the irreconcilable
loyalist, was dancing before his enemies, while he was still a
self-imposed exile on board the American war-ship. What did it mean?
Could it be that even Tuamana had been won by this remarkable foreign
nobleman?
At length the dancers were in place, in two rows, the women in front,
and all seated cross-legged. The Tapau with her marvelous head-dress
of human hair and mother of pearl, glistening in the firelight, sat
smiling proudly in the middle of her troupe. The orchestra, now
reinforced by many good voices, was keeping time. The dancers were
motionless as if struck from gleaming marble and then Avao raised her
arms, flinging them out with graceful ease, and as if the twoscore men
and women had been molded into a single figure, every arm was flung
out in perfect unison with their girlish leader. It was a drill of
the most difficult kind, requiring years of daily practice. No single
person seemed to lag or get out of time, while all the while a weird
chant rose and fell and finally as the movements, at first slow and
deliberate, took on a galloping pace, the high treble of the women and
the harsh bass of the men mounted to a pitch of delirious and savage
ecstasy and then suddenly stopped. A thunder of applause greeted the
marvelous performance. Phil for the first time withdrew his eyes from
the savage beauty of the scene and saw that hundreds of sailors of
all three nations had been admitted to the show. He recognized the
uniform of the American sailors and smiled with pleasure at their warm
reception to the efforts of Avao, to whom was due the credit for the
perfect dancing of the youth and maids of Ukula.
Figure after figure was performed. The enthusiasm of the natives rose
higher as the evening wore on.
Public-domain text, read in full here on John Shaqi.
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