“I want you to take me down there among the carriages, to be quite
sure it is she. Do take me, George! If you won’t, I must go alone.”
“I will take you, if you wish it; but, my child, you had better not go.
If you were to see them together again, it would break your heart.”
“Oh, no; my heart is not so tender as that, George!” said she, wearily.
“Let us make haste.”
She was afraid of her strength giving way again if there was any more
delay. So he took her down, across the course, and in and out among
the carriages until they came in sight of the one she was in search
of. Harry was no longer beside the drag; but there sat Muriel, her
complexion carefully made up, and dressed with more extravagance than
good taste; and in her ears were the ear-rings and at her throat
was the brooch which Annie had sent to Harry to help him out of his
difficulties a week before.
She turned away quickly, and whispered to George, clinging to him like
a child, and with a little tremor in her voice:
“Now let us go away--let us go away--as fast--as we can--straight back
home!”
She bore up bravely all the way to the station and during the journey
in the train; but when they were driving along together in a hansom,
she said suddenly:
“Talk about the races, George, please.”
But he could not, for there was a lump in his throat, and all he could
say, as a lift to the conversation, was:
“Curse him!”
CHAPTER XXV.
“Don’t go to the theater to-night, Annie! Send a note to say you are
not well,” suggested George, when they reached the house where his
sister-in-law was living. “You are not fit to act to-night; they must
get somebody else,” he added, with the charming simplicity of the
“outsider” in theatrical matters, who does not know how loath the
rising actress is to give her “understudy” a chance of proving that she
herself is not indispensable to the success of the piece.
“I must go, George; and it will be the best thing for me,” said she,
with a grateful look at his anxious face. “Come and see me to-morrow; I
want to talk to you.”
He left her unwillingly, and that night he took a stall at the theater
where she was acting that he might be at hand in case she broke down.
But there was no need of such a fear for the trained actress; her
performance that night was, to a close observer, somewhat fitful and
unequal; but she gave no other sign of the shock she had sustained
that day--in fact, the excitement caused by it prevented her physical
weariness from being so apparent.
The next morning, however, when George called, he found her sad and
subdued, in spite of the efforts she made to seem as cheerful as usual.
When she referred to the previous day, she did so quite calmly; but his
self-command about the matter was not so great as hers, and he broke
out in a few minutes and swore that he would find Harry out and upbraid
him for his infamous conduct to the most perfect woman in the world.
Public-domain text, read in full here on John Shaqi.
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