A View of Society and Manners in Italy, Volume 1 (of 2): With Anecdotes Relating to some Eminent CharactersMoore, John
History
A View of Society and Manners in Italy, Volume 1 (of 2): With Anecdotes Relating to some Eminent Characters
Moore, John
Italy -- Description and travel -- Early works to 1800; Italy -- Social life and customs -- Early works to 1800
It requires no knowledge in the art of painting, no connoisseurship, to
discover those beauties in the works of Guido; all who have eyes, and
a heart, must see and feel them. But the picture more admired than all
the rest, and considered, by the judges, as his master-piece, owes its
eminence to a different kind of merit; it can claim none from any of the
circumstances above enumerated. The piece I mean is in the Sampieri
palace, and distinguished by a silk curtain, which hangs before it. The
subject is, the Repentance of St. Peter, and consists of two figures,
that of the Saint who weeps, and a young apostle who endeavours to
comfort him. The only picture at Bologna, which can dispute celebrity
with this, is that of St. Cecilia, in the church of St. Georgio in Monte.
This picture is greatly praised by Mr. Addison, and is reckoned one of
Raphael’s capital pieces. If I had nothing else to convince me that I had
no judgment in painting, this would be sufficient. I have examined it
over and over with great attention, and a real desire of discovering its
superlative merit; and I have the mortification to find, that I cannot
perceive it.—After this confession, I presume you will not desire to hear
any thing farther from me on the subject of painting.
LETTER XXIX.
Ancona.
In our way from Bologna to this place, we passed through Ravenna, a
disagreeable town, though at one period the seat of empire; for, after
Attila had left Italy, Valentinian chose Ravenna, in preference to
Rome, for his residence, that he might always be ready to repel the
Huns and other Barbarians, who poured from the banks of the Danube,
and prevent their penetrating into Italy. The same reason afterwards
induced Theodoric, King of the Ostrogoths, to keep his court at this
city of Ravenna, after he had defeated and killed Odoacer, and assumed
the title of King of Rome. The ruins of his palace and his tomb now form
part of the antiquities of Ravenna; among which I shall not detain you
a moment, but proceed to the river of Pisatello, the famous Rubicon,
which lies between this town and Rimini, and was the ancient boundary
between Italy and Cisalpine Gaul. No Roman, returning to Rome, could pass
in arms beyond this, without being deemed an enemy to his country. The
small town of Cesenate is situated near this brook, and the inhabitants
value themselves not a little upon their vicinity to so celebrated a
neighbour. But the people of Rimini have had the malice to endeavour to
deprive them of this satisfaction: they affirm, that the rivulet Lusa,
which is farther removed from Cesenate, and nearer to themselves, is the
true Rubicon. I have considered this controversy with all the attention
it merits; and I am of opinion, that the pretensions of Pisatello, which
is also called Rugone, are the best founded. That you may not suspect my
being influenced in my judgment by any motives but those of justice, I
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