A View of Society and Manners in Italy, Volume 1 (of 2): With Anecdotes Relating to some Eminent CharactersMoore, John
History
A View of Society and Manners in Italy, Volume 1 (of 2): With Anecdotes Relating to some Eminent Characters
Moore, John
Italy -- Description and travel -- Early works to 1800; Italy -- Social life and customs -- Early works to 1800
We next passed through Pesaro, a very agreeable town, better built and
paved than the other towns we have seen on the Adriatic shore. In the
market-place there is a handsome fountain, and a statue of Pope Urban
the Eighth, in a sitting posture. In the churches of this town there are
some pictures by Baroccio, a painter, whose works some people esteem very
highly, and who is thought to have imitated the manner of Raphael and the
tints of Correggio, not without success. He lived about the middle of
the sixteenth century, and his colours seem to have improved by time. I
say, seem; for, in reality, all colours lose by time: but the operation
of sun and air on pictures bringing all the colours to a kind of unison,
occasions what is called Harmony, and is thought an improvement on some
pictures. This road, along the Adriatic coast, is extremely pleasant.
From Pesaro we proceeded to Fano, a little town, of nearly the same size,
but more populous. It derives its name from a Temple of Fortune [Fanum
Fortunæ], which stood here in the time of the Romans. All the towns of
Italy, however religious they may be, are proud of their connections with
those celebrated heathens. An image of the Goddess Fortune is erected on
the fountain in the market-place, and the inhabitants show some ruins,
which they pretend belong to the ancient Temple of Fortune; but what
cannot be disputed, are the ruins of a triumphal arch in white marble,
erected in honour of Augustus, and which was greatly damaged by the
artillery of Pope Paul the Second, when he besieged this town in the year
1463. The churches of this town are adorned with some excellent pictures;
there is one particularly in the cathedral church, by Guercino, which is
much admired. The subject is the marriage of Joseph: it consists of three
principal figures; the High Priest, Joseph, and the Virgin.
A few miles beyond Fano, we crossed the river Metro, where Claudius
Nero, the Roman Consul, defeated Asdrubal, the brother of Hannibal.
This was, perhaps, the most important victory that ever was gained by a
Roman General; for, had Asdrubal been victorious, or been able to effect
a junction with his brother, the troops he brought from Spain would
have become of triple value as soon as they were under the direction
of Hannibal; and it is not improbable that, with such a reinforcement,
that most consummate General would have put an end to the Roman State;
the glory of Carthage would have begun where that of Rome ended; and the
history of the world would have been quite different from what it is.
Horace seems sensible of the infinite importance of this victory, and
proclaims with a fine poetic enthusiasm, the obligations which Rome owed
to the family of the hero who obtained it, and the terror which, before
that time, Hannibal had spread over all Italy.
Public-domain text, read in full here on John Shaqi.
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