This Villa is also enriched by one of the most animated statues in the world, and which, in the opinion of many men of taste, comes nearest, and in the judgment of some, equals the Apollo of the Vatican. I mean the statue of the fighting Gladiator. It is difficult, however, to compare two pieces whose merits are so different. The Apollo is full of grace, majesty, and conscious superiority; he has shot his arrow, and knows its success. There is, indeed, a strong expression of indignation, which opens his lips, distends his nostrils, and contracts his brows; but it is the indignation of a superior being, who punishes while he scorns the efforts of his enemy. The Gladiator, on the contrary, full of fire and youthful courage, opposes an enemy that he does not fear; but whom, it is evident, he thinks worthy of his utmost exertion; every limb, nerve, and sinew, is in action; his ardent features indicate the strongest desire, the highest expectation, but not a perfect security of victory. His shape is elegant as well as nervous, expressive of agility as well as strength, and equally distant from the brawny strength of the Farnesian Hercules, and the effeminate softness of the Belvedere Antinous. The action is transitive (if the term may be so used), and preparatory only to another disposition of body and limbs, which are to enable him to strike, and which he cannot do in his present position; for the moment his right arm crossed the perpendicular line of his right leg, the whole figure would be out of its centre. His action seems a combination of the defensive and offensive; defensive in the _present_ moment, the left arm being advanced to secure the adversary’s blow; and preparing for offence in the next, the left leg already taking its spring to advance in order to give the figure a centre, which may enable it to strike, without risk of falling, if the blow should not take place. The action of the right arm, however, will always remain in some degree problematical, the ancient being lost; by whom the modern arm is restored, I never heard.