A View of Society and Manners in Italy, Volume 1 (of 2): With Anecdotes Relating to some Eminent CharactersMoore, John
History
A View of Society and Manners in Italy, Volume 1 (of 2): With Anecdotes Relating to some Eminent Characters
Moore, John
Italy -- Description and travel -- Early works to 1800; Italy -- Social life and customs -- Early works to 1800
The dancing is an essential part of the entertainment at the opera here,
as well as at London. There is certainly a much greater proportion of
mankind deaf to the delights of music, than blind to the beauties of fine
dancing. During the singing, and recitativo part of the performance, the
singers are often allowed to warble for a considerable time, without
any body’s minding them; but the moment the ballet begins, private
conversation, though pretty universal before, is immediately at an end,
and the eyes of all the spectators are fixed on the stage. This, to be
sure, has been always the case in London, and, in spite of the pains some
people take to conceal it, we all know the reason; but I own I did not
expert to find the same preference of dancing to music in Italy.
After seeing the dancing at the French opera, and coming so lately from
Vienna, where we had seen some of Novere’s charming ballets very well
executed, we could have no high admiration of those performed here,
though there are at present some dancers highly esteemed, who perform
every night.
The Italians, I am informed, have a greater relish for agility and high
jumping in their dancers, than for graceful movements.
It is extraordinary that they do not vary the ballets oftener. They give
the same every night during the run of the opera. There is a propriety
in continuing the same opera for a considerable time; because music is
often better relished after it becomes a little familiar to the ear, than
at first; but a ballet might be changed, without much difficulty, every
night.
LETTER XIX.
Venice.
Many people are surprised, that, in a Government so very jealous of its
power as that of Venice, there is no military establishment within the
city to support the executive power, and repress any popular commotion.
For my own part, I am strongly of opinion, that it proceeds from this
very jealousy in government, that there is no military garrison here.
An arbitrary Prince is fond of a standing army, and loves to be always
surrounded by guards; because he, being the permanent fountain of honours
and promotion, the army will naturally be much attached to him, and
become, on all occasions, the blind instruments of his pleasure; but at
Venice, there is no visible permanent object, to which the army can
attach itself. The Doge would not be allowed the command of the garrison,
if there was one. The three State Inquisitors are continually changing;
and before one set could gain the affections of the soldiers, another
would be chosen; so that Government could not be supported, but much more
probably would be overturned, by a numerous garrison being established in
Venice; for it might perhaps not be difficult for a few of the rich and
powerful nobles to corrupt the garrison, and gain over the commander to
any ambitious plan of their own, for the destruction of the constitution.
Public-domain text, read in full here on John Shaqi.
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