A View of Society and Manners in Italy, Volume 1 (of 2): With Anecdotes Relating to some Eminent CharactersMoore, John
History
A View of Society and Manners in Italy, Volume 1 (of 2): With Anecdotes Relating to some Eminent Characters
Moore, John
Italy -- Description and travel -- Early works to 1800; Italy -- Social life and customs -- Early works to 1800
Having embarked in our little vessel, we soon entered a canal, of about
twenty-two Italian miles in length, which communicates with the Po, and
we were drawn along, at a pretty good rate, by two horses. We passed
last night in the vessel, as we shall this; for there is no probability
of our reaching Ferrara till to-morrow. The banks of this famous river
are beautifully fertile. Finding that we could keep up with the vessel,
we amused ourselves the greatest part of the day in walking. The
pleasure we feel on this classical ground, and the interest we take in
all the objects around, is not altogether derived from their own native
beauties; a great part of it arises from the magic colouring of poetical
description.
The accounts we have had lately of the King of Prussia’s bad health, I
suppose, are not true; or if they are, I have good hopes he will recover:
I found them on the calm and serene aspect which Eridanus wears at
present, which is not the case when the fate of any very great person
is depending. You remember, what a rage he was in, and what a tumult he
raised, immediately before the death of Julius Cæsar.
Proluit insano contorquens vortice sylvas
Fluviorum Rex Eridanus, camposque per omnes:
Cum stabulis armenta tulit.
Dryden translates these lines,
Then rising in his might, the King of Floods
Rush’d thro’ the forests, tore the lofty woods;
And, rolling onward, with a sweepy sway,
Bore houses, herds, and labouring hinds away.
Rising in his might is happy, but the rest is not so simple as the
original, and much less expressive; there wants the _insano contorquens
vortice_ sylvas.
It is not surprising that the Po is so much celebrated by the Roman
poets, since it is, unquestionably, the finest river in Italy.—
Where every stream in heavenly numbers flows.
It seems to have been the favourite river of Virgil:
Gemina auratus taurino cornua vultu
Eridanus, quo non alius per pinguia culta
In mare purpureum violentior influit amnis.
And Mr. Addison, at the sight of this river, is inspired with a degree of
enthusiasm, which does not always animate his poetry.
Fired with a thousand raptures, I survey,
Eridanus thro’ flowery meadows stray;
The King of Floods! that, rolling o’er their plains,
The towering Alps of half their moisture drains,
And, proudly swoln with a whole winter’s snows,
Distributes wealth and plenty where he flows.
Notwithstanding all that the Latin poets, and, in imitation of them,
those of other nations, have sung of the Po, I am convinced that no river
in the world has been so well sung as the Thames.
Public-domain text, read in full here on John Shaqi.
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