A View of Society and Manners in Italy, Volume 2 (of 2): With Anecdotes Relating to some Eminent CharactersMoore, John
History
A View of Society and Manners in Italy, Volume 2 (of 2): With Anecdotes Relating to some Eminent Characters
Moore, John
Italy -- Description and travel -- Early works to 1800; Italy -- Social life and customs -- Early works to 1800
destitute situation with the affluence of others, one cannot help being
astonished at their patience.
Let the prince be distinguished by splendour and magnificence; let the
great and the rich have their luxuries; but, in the name of humanity, let
the poor, who are willing to labour, have food in abundance to satisfy
the cravings of nature, and raiment to defend them from the inclemencies
of the weather!
If their governors, whether from weakness or neglect, do not supply them
with these, they certainly have a right to help themselves.—Every law
of equity and common sense will justify them, in revolting against such
governors, and in satisfying their own wants from the superfluities of
lazy luxury.
LETTER LIX.
Naples.
I have made several visits to the museum at Portici, principally, as you
may believe, to view the antiquities dug out of Herculaneum and Pompeia.
The work publishing by Government, ornamented with engravings of the
chief articles of this curious collection, will, in all probability,
be continued for many years, as new articles worthy of the sculptor’s
art are daily discovered, and as a vast mine of curiosities is supposed
to be concealed in the unopened streets of Pompeia. Among the ancient
paintings, those which ornamented the theatre of Herculaneum are more
elegant than any that have hitherto been found at Pompeia. All those
paintings were executed upon the stucco which lined the walls; they have
been sawed off with great labour and address, and are now preserved in
glass cases; the colours, we are told, were much brighter before they
were drawn out of their subterraneous abode, and exposed to the open air;
they are, however, still wonderfully lively: the subjects are understood
at the first glance by those who are acquainted with the Grecian history
and mythology. There is a Chiron teaching Achilles to play on the lyre,
Ariadne deserted, the Judgment of Paris, some Bacchantes and Fauns; the
largest piece represents Theseus’s victory over the Minotaur. It consists
of seven or eight figures very well grouped, but a Frieze, with a dancing
woman, on a black ground, not above ten inches long, is thought the best.
Public-domain text, read in full here on John Shaqi.
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