A View of Society and Manners in Italy, Volume 2 (of 2): With Anecdotes Relating to some Eminent CharactersMoore, John
History
A View of Society and Manners in Italy, Volume 2 (of 2): With Anecdotes Relating to some Eminent Characters
Moore, John
Italy -- Description and travel -- Early works to 1800; Italy -- Social life and customs -- Early works to 1800
In another part of the town of Pompeia, there is a rectangular building,
with a colonade, towards the court, something in the style of the Royal
Exchange at London, but smaller. This has every appearance of a barrack
and guard room; the pillars are of brick, covered with shining stucco,
elegantly fluted; the scrawlings and drawings still visible on the walls,
are such as we might naturally expect on the walls of a guard room, where
soldiers are the designers, and swords the engraving tools. They consist
of gladiators fighting, some with each other, some with wild beasts; the
games of the circus, as chariot races, wrestling, and the like; a few
figures in caricatura, designed probably by some of the soldiers, in
ridicule of their companions, or perhaps of their officers; and there
are abundance of names inscribed on various parts of the wall, according
to the universal custom of the humblest candidates for fame in all ages
and countries. It may be safely asserted, that none of those who have
endeavoured to transmit their names to posterity in this manner, have
succeeded so well as the soldiers of the garrison of Pompeia.
At a considerable distance from the barrack, is a building, known by the
inscription upon it, for a temple of the goddess Isis; there is nothing
very magnificent in its appearance; the pillars are of brick stuccoed
like those of the guard room. The best paintings, hitherto found at
Pompeia, are those of this temple; they have been cut out of the walls
and removed to Portici. It was absolutely necessary to do this with
the pictures at Herculaneum, because _there_ they could not be seen
without the help of torches; but _here_, where they could be seen by
the light of the Sun, they would, in my humble opinion, have appeared to
more advantage, and have had a better effect in the identical situation
in which they were placed by the ancient artist. A few still remain,
particularly one, which is considered by travellers as a great curiosity;
it is a small view of a villa, with the gardens belonging to it.
Public-domain text, read in full here on John Shaqi.
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