A View of Society and Manners in Italy, Volume 2 (of 2): With Anecdotes Relating to some Eminent CharactersMoore, John
History
A View of Society and Manners in Italy, Volume 2 (of 2): With Anecdotes Relating to some Eminent Characters
Moore, John
Italy -- Description and travel -- Early works to 1800; Italy -- Social life and customs -- Early works to 1800
I must however do this audience the justice to acknowledge, that they
seemed to feel the pathetic and sublime, as well as the ludicrous, parts
of the ancient Bard.
This practice of rehearsing the verses of Ariosto, Tasso, and other
poets, in the street, I have not observed in any other town of Italy;
and I am told it is less common here than it was formerly. I remember
indeed, at Venice, to have frequently seen mountebanks, who gained their
livelihood by amusing the populace at St. Mark’s Place, with wonderful
and romantic stories in prose.—“Listen, Gentlemen,” said one of them;
“let me crave your attention, ye beautiful and virtuous ladies; I have
something equally affecting and wonderful to tell you; a strange and
stupendous adventure, which happened to a gallant knight.”—Perceiving
that this did not sufficiently interest the hearers, he exalted his
voice, calling out that his Knight was uno Cavalliero Cristiano. The
audience seemed still a little fluctuating. He raised his voice a note
higher, telling them that this Christian Knight was one of their own
victorious countrymen, “un’ Eroe Veneziano.” This fixed them; and he
proceeded to relate how the Knight, going to join the Christian army,
which was on its march to recover the Sepulchre of Christ from the hands
of the Infidels, lost his way in a vast wood, and wandered at length to
a castle, in which a lady of transcendent beauty was kept prisoner by
a gigantic Saracen, who, having failed in all his endeavours to gain
the heart of this peerless damsel, resolved to gratify his passion by
force; and had actually begun the horrid attempt, when the shrieks of
this chaste maiden reached the ears of the Venetian hero; who, ever ready
to relieve virgins in distress, rushed into the apartment from whence
the cries issued. The brutal ravisher, alarmed at the noise, quits the
struggling lady, at the very instant when her strength began to fail;
draws his flaming sword; and a dreadful combat begins between him and
the Christian Knight, who performs miracles of courage and address in
resisting the blows of this mighty giant; till, his foot unfortunately
slipping in the blood which flowed on the pavement, he fell at the feet
of the Saracen; who, immediately seizing the advantage which chance gave
him, raised his sword with all his might, and—Here the orator’s hat flew
to the ground, open to receive the contributions of the listeners; and
he continued repeating, “raised his sword over the head of the Christian
Knight”—“raised his bloody, murderous brand, to destroy your noble,
valiant countryman.”—But he proceeded no farther in his narrative, till
all who seemed interested in it had thrown something into the hat. He
then pocketed the money with great gravity, and went on to inform
them, that, at this critical moment, the Lady, seeing the danger which
threatened her deliverer, redoubled her prayers to the Blessed Mary, who,
a virgin herself, is peculiarly attentive and propitious to the prayers
Public-domain text, read in full here on John Shaqi.
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