A Village Ophelia, and Other StoriesAldrich, Anne Reeve
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A Village Ophelia, and Other Stories
Aldrich, Anne Reeve
American fiction -- 19th century; Short stories, American
She remained for some moments by the window, meditating, apparently. She
talked to herself rapidly and in low undertones. What would I have given
to be able to hear all she thus said! Her expression was one of deep
mental agony, and I began to feel a growing confidence. How can words
express the hideousness of the change of countenance, the indescribable
horror and distress of a creature that is being pressed closer and
closer toward a yawning gulf of blackness from which there is no escape?
How relate the outward signs of an inward terror at which we can but
vaguely guess? Would that I could have penetrated to the depths of that
soul for one instant to realize completely the bitterness of the dregs
it was draining! She advanced to the middle of the room; she stretched
out both arms with a gesture of horror and despair. A long, convulsive
shudder shook her from head to foot. Her eyes filled with the unearthly
fear of one who sees walls closing in on her, of one bound, who sees
flames creeping closer and closer. In one instant I could see her pass
the line dividing mere mental anguish from insanity; the unmistakable
light of madness shone in her glance. With a cry of delight she seized
the little dagger. She was rushing down the corridor like the wind.
Should I follow her? I hesitated a moment. I heard a long, low cry of
mental agony; all the sounds of a house aroused from slumber by some
dreadful calamity.
Had she gone to Hilyard's room, to die on his threshold? It was silent
once more, except for the exclamations from the different bed-chambers,
and the hurrying sounds of footsteps down the corridor. Then I, too,
following the rest of the household, entered the room of death. Amy sat
curled up on the side of the bed, laughing like a pleased child at the
red stream that trickled from Hilyard's breast among the light bed
coverings, and dripped slowly to the floor.
* * * * *
Although I am never gay any more, I am not unhappy, for I am more than
satisfied with the effect of Hilyard's African drug. It is true that it
did not fulfill with accuracy all that he claimed for it; perhaps I gave
an overdose, or too little. If that is the case, he suffered for not
having been more exact. He should have mentioned, in telling his little
story, the amount necessary. However, as I say, I have no reason to find
fault with its results in this case.
In looking over the effects of the deceased for Mrs. Mershon, I
concluded that I should probably meet with no occasion to use the little
glass phial again, and as the drug seemed to be rather uncertain in its
ultimate effect, I decided, after some reflection, to throw it away, and
accordingly I emptied it out of the laboratory window on the flower-bed
beneath. I half expected to see the rose-bushes wither under it, but it
only shone slimily on the leaves for a while, and then was washed off by
a timely shower.
Public-domain text, read in full here on John Shaqi.
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