A Village Ophelia, and Other StoriesAldrich, Anne Reeve
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A Village Ophelia, and Other Stories
Aldrich, Anne Reeve
American fiction -- 19th century; Short stories, American
He gave me the little package of leaves, whose rough edges showed that
they had been hurriedly cut from a binding, and then he fell again into
his old lethargic attitude. I am not an imaginative man, but a faint
odor from the paper brought like a flash to my mind the brilliant,
mutinous face, radiant with color and life, that I had seen last across
a sea of white shoulders and black coats at a reception a few weeks
before I went to South America. The writing was the hurried, illegible
hand of an author. I thought grimly that I had probably chanced upon a
much weakened and Americanized Marie Bashkirtseff, for though I had only
been home a few weeks, it goes without saying that I had read a part at
least of the ill-fated young Russian's dairy. Yet in the presence of the
grief-stricken face, outlined against the dark leather chair-back, I
felt a pang of shame at a thought bordering on levity. There was indeed
one likeness: both were the unexpurgated records of hearts laid
ruthlessly bare; both were instinct with life: in every line one could
feel the warm blood throbbing.
A few of the pages of this journal, which I copy word for word from the
manuscript lying before me, I give the reader. Call the dead writer an
egotist, if you will: wonder at Callender's love for this self-centred
nature; I think she was an artist, and as an artist, her experience is
of value to art.
"_December_--18--.
"I have just torn out some pages written a year or so ago. A diary of
the introspective type is doubtless a pandering to egotism, but I have
always detested that affectation which ignores the fact that each person
is to him or herself the most interesting soul--yes, and body--in the
universe, and now there is nothing of such infinite importance to me as
this. I fear I shall never write again. All thought or plan, in prose
or verse, seems dead in me: broken images and pictures that are wildly
disconnected float through my tired mind. I have driven myself all day.
I have been seated at my desk, with my pen in my hand, looking blankly
at the paper. No words, no words! Just before my first book went to
press, I overworked. I was in a fever; poems, similes, ran through my
excited hours. I could not write fast enough. In that mental debauch I
believe that I squandered the energy of years, and now I can conceive no
more. If I could only sleep, perhaps I could write. Oh! long, long
nights, crowded with the fearful acceleration of trival thoughts crushed
one upon another, crowding so fast. 'My God,' I pray, 'Let me sleep,
only sleep,' and conquered by this abject need, this weariness
unutterable, I am fain to believe that this gift, common to the brute
and slave, is better than anything my mind can gain for me, and there
is nothing so entirely desirable in all the world as a few hours'
oblivion.
Public-domain text, read in full here on John Shaqi.
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