The air of fashion, which many young people are so eager to attain, always strikes me like the studied attitudes of some modern prints, copied with tasteless servility after the antiques; the soul is left out, and none of the parts are tied together by what may properly be termed character. This varnish of fashion, which seldom sticks very close to sense, may dazzle the weak; but leave nature to itself, and it will seldom disgust the wise. Besides, when a woman has sufficient sense not to pretend to any thing which she does not understand in some degree, there is no need of determining to hide her talents under a bushel. Let things take their natural course, and all will be well. It is this system of dissimulation, throughout the volume, that I despise. Women are always to SEEM to be this and that--yet virtue might apostrophize them, in the words of Hamlet--Seems! I know not seems!--Have that within that passeth show!-- Still the same tone occurs; for in another place, after recommending, (without sufficiently discriminating) delicacy, he adds, "The men will complain of your reserve. They will assure you that a franker behaviour would make you more amiable. But, trust me, they are not sincere when they tell you so. I acknowledge that on some occasions it might render you more agreeable as companions, but it would make you less amiable as women: an important distinction, which many of your sex are not aware of." This desire of being always women, is the very consciousness that degrades the sex. Excepting with a lover, I must repeat with emphasis, a former observation--it would be well if they were only agreeable or rational companions. But in this respect his advice is even inconsistent with a passage which I mean to quote with the most marked approbation. "The sentiment, that a woman may allow all innocent freedoms, provided her virtue is secure, is both grossly indelicate and dangerous, and has proved fatal to many of your sex." With this opinion I perfectly coincide. A man, or a woman, of any feeling must always wish to convince a beloved object that it is the caresses of the individual, not the sex, that is received and returned with pleasure; and, that the heart, rather than the senses, is moved. Without this natural delicacy, love becomes a selfish personal gratification that soon degrades the character.