A Vindication of the Rights of Woman: With Strictures on Political and Moral SubjectsWollstonecraft, Mary
Philosophy
A Vindication of the Rights of Woman: With Strictures on Political and Moral Subjects
Wollstonecraft, Mary
Feminism; Women -- Education -- Great Britain; Women -- History -- 19th century; Women's rights -- Great Britain
I do not forget the popular opinion, that the Grecian statues were
not modelled after nature. I mean, not according to the
proportions of a particular man; but that beautiful limbs and
features were selected from various bodies to form an harmonious
whole. This might, in some degree, be true. The fine ideal
picture of an exalted imagination might be superior to the
materials which the painter found in nature, and thus it might with
propriety be termed rather the model of mankind than of a man. It
was not, however, the mechanical selection of limbs and features,
but the ebullition of an heated fancy that burst forth; and the
fine senses and enlarged understanding of the artist selected the
solid matter, which he drew into this glowing focus.
I observed that it was not mechanical, because a whole was
produced--a model of that grand simplicity, of those concurring
energies, which arrest our attention and command our reverence.
For only insipid lifeless beauty is produced by a servile copy of
even beautiful nature. Yet, independent of these observations, I
believe, that the human form must have been far more beautiful than
it is at present, because extreme indolence, barbarous ligatures,
and many causes, which forcibly act on it, in our luxurious state
of society, did not retard its expansion, or render it deformed.
Exercise and cleanliness appear to be not only the surest means of
preserving health, but of promoting beauty, the physical causes
only considered; yet, this is not sufficient, moral ones must
concur, or beauty will be merely of that rustic kind which blooms
on the innocent, wholesome countenances of some country people,
whose minds have not been exercised. To render the person perfect,
physical and moral beauty ought to be attained at the same time;
each lending and receiving force by the combination. Judgment must
reside on the brow, affection and fancy beam in the eye, and
humanity curve the cheek, or vain is the sparkling of the finest
eye or the elegantly turned finish of the fairest features; whilst
in every motion that displays the active limbs and well-knit
joints, grace and modesty should appear. But this fair assemblage
is not to be brought together by chance; it is the reward of
exertions met to support each other; for judgment can only be
acquired by reflection, affection, by the discharge of duties, and
humanity by the exercise of compassion to every living creature.
Public-domain text, read in full here on John Shaqi.
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