"I might," he reflected, "put on the melancholy, disenchanted look
myself. She is ill, and it would be a case of one sick person seeking
some comfort in the eyes of a companion in misfortune.... Comedy! But
would it be so much of a comedy? Have I found in life all that I looked
for? If I had found it, should I be here dreaming of the capture of a
young girl? It's my right, to do that, since I love; all means will be
fair which put the resources of my imagination at the service of my
heart."
But the opportunity of striking a melancholy, disenchanted attitude
never presented itself. Rose considered him more and more as an
architect, praised his skill in managing the workmen, and paid no
attention to his youth, his cleverness or even to the way he looked at
her--and his glances were often penetrating. There were moments when he
became discouraged. The memory of Hortense came back to him. They had
exchanged a few anodyne letters. She called him to her, but in a weak
voice, and it was in uncertain terms that he announced his next visit.
"Dying love is always melancholy," he thought. "The poem would have
been beautiful if we had said good-bye after Compiègne. We tried to add
a verse, and it has been a failure. It's a pity. But what will become
of her? I still feel some curiosity about her."
At other moments he pictured to himself Gratienne and the elegant
manner of her posturing; that roused him for a time. But the image of
M. Hervart would seem to come and mingle with that of this agreeable
young woman, and the charm would be broken.
Rose's arrival would dispel all these visions. He took a great delight
in seeing her walk, enjoying, though with no idea of libertinage, the
grace of her movements.
Leonor's departure had already been spoken of. One rainy afternoon,
Rose decided to speak. She did it very seriously, without attempting
to dissimulate her unhappiness. Between the two there followed a
conversation which took the tone of friendly confidences.
After long hesitation she put the question for which Leonor had been
waiting with so much anxiety. He had forged several anecdotes with
which Rose would doubtless have been satisfied; but when the moment
came, rather than hesitate and risk inevitable contradictions, he
suddenly decided on a certain degree of frankness.
He said: "The card fell into my hands because I myself have also been
entertained by this person. M. Hervart, I must tell you, was not there;
he did not know and she shall certainly never know. I had no idea
myself that he was the intimate friend of the house. That was why his
name struck me, appended as it was to 'best love.'"
"It was 'love and kisses.'"
Public-domain text, read in full here on John Shaqi.
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