A Virginia Girl in the Civil War, 1861-1865: being a record of the actual experiences of the wife of a Confederate officerAvary, Myrta Lockett
Philosophy
A Virginia Girl in the Civil War, 1861-1865: being a record of the actual experiences of the wife of a Confederate officer
Avary, Myrta Lockett
United States -- History -- Civil War, 1861-1865 -- Personal narratives, Confederate
“Mrs. Grey,” he said, “here is all the money I have in the world, ten
dollars in greenbacks. Take half of it--I wish you would--it wouldn’t
inconvenience me at all. I will make some more soon, and then I will
divide with you again until Dan comes home.”
I could hardly speak for tears. At that moment I was richer than my
general. I had at home in gold and greenbacks more money than General
Lee.
“God bless you, general!” I managed to say. “But really I don’t need
it. If I do really and truly I will come to you for it.”
Franklin Street wasn’t a good place to cry in, so I hurried home.
Still the days that passed did not bring me Dan. I became thoroughly
miserable. I sat in my window and watched and was cross if anybody
spoke to me.
One day a servant brought up a message:
“Er gent’man in de parlor to see yer, missy.”
“What sort of a ‘gent’man’ is it?” I asked tartly. There was but one
man in the world I wanted to see or hear about just then.
“He ain’t lak our people, missy. He’s furrin--French or suppin nuther.
He say how he usen ter know yer in Petersburg. An’ how you lent ’im
some--er--music--er suppin lak dat. An’ he got--er--errah--suppin--I
clar fo’ de Lord, missy, I dunno what ’tis--but he got suppin----”
“Oh, I know,” I said. “He’s that old French music-teacher, and he’s
brought back that old music I lent him in the year one. Go tell him
that I don’t want it; he can have it.”
Jake departed only to return in a more perplexed frame of mind and
state of speech.
“He say how ’tain’t no music he’s got fur yer. He say--he do say,
missy--but de Lord knows I dunno what he say!--but anyway be bleeged to
see yer.”
I got up and went down to the parlor in desperation.
Sure enough, it was the little French music-teacher, and he began
apologies, acknowledgments and what not in his dreadful English.
“Madame, I haf no mooseek to you--not at all. I haf one message of you
to ze majaire. If you not b’lief me,” he fumbled in his pocket and
brought out a dirty bit of paper, “look at ze cart--vat sail I call
him? ze lettaire. If madame vill look--I beg ze pardon of madame----”
I snatched the paper out of his hand. And then--I couldn’t make it out.
Written in the first place with an indifferent pencil on a worn bit
of the poor paper of that day and carried in the little Frenchman’s
very ragged and grimy pocket, the scrawl was illegible. It had never
been more than a line of some five or six words. While I was trying to
make it out the little Frenchman explained that it was merely a line
introducing himself as the bearer of a message.
Public-domain text, read in full here on John Shaqi.
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