spirit of the work is well rendered." [Footnote 21: "Indian Archipelago."] [Footnote 22: "Catalogus van de Javaansche en Madoereesche Handschriften der Leidsche Universiteits-Bibliotheek door A. C. Vreede. Leiden: 1892."] In the present chapter we are concerned only with those Hindu Javanese works which are properly entitled to be classed as "literature." They are written in the Kavi or literary language. The term "Kavi" means the language of poetry, and this dialect is composed, to a great extent, of words of Sanscrit origin. Although the knowledge of Kavi was gradually lost after the Hindu supremacy was overthrown by the Mohammedans, modern Javanese contains but few Arabic words, especially differing in this respect from Malay. Two forms of modern Javanese are employed in everyday speech. First, the language of ceremony, called Krama; and, secondly, the common speech, or Ngoko (meaning literally the thou-ing speech). The Krama contains a considerable number of words derived from Sanscrit and introduced through the Kavi, and an admixture of Malay. It is used by the peasants and artisans in addressing the native princes. The Ngoko is spoken by the common people among themselves, and by the native princes in communication with their inferiors. The existence of this double language explains the fact (of which I have already spoken) that the Dutch have established Malay, and not Javanese or Sundanese, as the medium of communication between Europeans and natives.