A Volunteer with Pike: The True Narrative of One Dr. John Robinson and of His Love for the Fair Señorita ValloisBennet, Robert Ames
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A Volunteer with Pike: The True Narrative of One Dr. John Robinson and of His Love for the Fair Señorita Vallois
Bennet, Robert Ames
Pike, Zebulon Montgomery, 1779-1813 -- Fiction
"You may lose yourself, or be struck down by the knife of some murderous
_ladrone_," he objected.
"Not he," reassured Pike. "I'd back him to out-wrestle a panther."
"What is more, I carry one of my pistols," I added. "So if, between you,
my guitar case will not prove too much of a burden--"
"_Sacre!_" muttered Walker. "You may fall into trouble."
"That's my risk," I replied with unaffected cheerfulness, and handing
the guitar case to my friend, I swung away up a side street before our
_dueno_ could interpose further objections.
As I sped along in the shadow of the houses, I could have leaped up and
cracked my heels together for joy. I was alone and free for the first
time since joining company with the two Yutahs in the valley north of
Agua Caliente. But my coltish impulse was short-lived. I had not
questioned and planned for the last hour, to caper about in solitary
darkness now.
The street up which I had bolted did not lead in the direction in which
I wished to go. This was soon mended by turning at the first corner. The
towers of the _Parroquia_, looming high against the starlit sky, guided
me to the plaza. I then needed only to skirt edge of the square to come
to the street corner upon which stood the great mansion of Don Pedro.
More than once on my way I had heard the long-drawn notes of serenaders,
and the thought that there might already be one beneath my lady's
balcony hurried me into a run. But when, mindful of the counsel of the
complacent Medina, I slipped into a shadowy archway across from the
stone _facade_ of the Vallois mansion, I could hear no music within two
or three hundred paces. This surprised me not a little, and I stood for
some moments wondering at it, for my brief stay in Chihuahua had already
confirmed all that Dona Dolores had written to Malgares as to the great
popularity of Alisanda.
It was, however, no time to ponder mysteries. Whatever reasons her other
suitors might have for staying away, I was here to woo her, and woo her
I would. I keyed my strings, and with my gaze roving from one to the
other of the balconied windows across, began to sing that love ditty I
had sung beneath my lady's window at Natchez. The first verse brought me
no response. Every balcony remained empty, every window gaped black
between its open hangings.
After a short interval I sang the second verse. But though I stared at
the dim, ghostly outlines of the white stone mansion until my eyes
ached, I saw no sign of my lady. It then occurred to me that her chamber
might face upon the side street. I stepped out from my dark archway, to
walk around. But as I crossed over I could not resist gazing up at the
nearest balcony and whispering her dear name: "Alisanda! Alisanda! It is
I--John."
Public-domain text, read in full here on John Shaqi.
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