A Voyage of Consolation: (being in the nature of a sequel to the experiences of 'An American girl in London')Duncan, Sara Jeannette
General
A Voyage of Consolation: (being in the nature of a sequel to the experiences of 'An American girl in London')
Duncan, Sara Jeannette
Americans -- Europe -- Fiction; Voyages and travels -- Fiction; Young women -- Fiction
It was the middle of the afternoon, and momma, having spent the morning
among the tombs of the Scaligeri, was lying down. The Scaligeri somehow
had got on her nerves; there were so many of them, and the panoply of
their individual bones was so imposing.
"Daughter," she had said to me on the way back to the hotel, "if you
point out another thing to me I'll slap you." In that frame of mind it
was always best to let momma lie down. The Senator had letters to write;
I think he wanted to communicate his Venetian steamship idea to a man in
Minneapolis. Dicky had already been round to the Hotel di Londres--we
were at the Colomba--and had found nothing, so when he asked me to come
out for a walk I prepared to be steeped in despondency. An unsuccessful
love affair is a severe test of friendship; but I went.
It was as I expected. Having secured a spectator to wreak his gloom
upon, Mr. Dod proceeded to make the most of the opportunity. He put his
hat on recklessly, and thrust his hands into his pa--his trouser
pockets. We were in a strange town, but he fastened his eyes moodily
upon the pavement, as if nothing else were worth considering. As we
strolled into the Piazza Bra, I saw him gradually and furtively turn up
his coat-collar, at which I felt obliged to protest.
"Look here, Dicky," I said, "unrequited affection is, doubtless, very
trying, but you're too much of an advertisement. The Veronese are
beginning to stare at you; their sorcerers will presently follow you
about with their patent philters. Reform your personal appearance, or
here, at the foot of this statue of Victor Emmanuel, I leave you to your
fate."
Dicky reformed it, but with an air of patience under persecution which I
found hard to bear. "I don't know your authority for calling it
unrequited," he said, with dignity.
"All right--undelivered," I replied. "That is a noble statue--you can't
contradict the guide-book. By Borghi."
"Victor Emmanuel, is it? Then it isn't Garibaldi. You don't have to
travel much in Italy to know it's got to be either one or the other.
What they _like_ is to have both," said Mr. Dod, with unnecessary
bitterness. "I'd enjoy something fresh in statues myself." Then, with an
imperfectly-concealed alertness, "There seems to be something going on
over there," he added.
We could see nothing but an arched door in a high, curving wall, and a
stream of people trickling in. "Probably only one of their eternal Latin
church services," continued Dicky. "It's about the only form of public
entertainment you can depend on in this country. But we might as well
have a look in." He went on to say, as we crossed the dusty road, that
my unsympathetic attitude was enough to drive anybody to the Church of
Rome, even in the middle of the afternoon.
Public-domain text, read in full here on John Shaqi.
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