Ascending from Teviotdale, I passed the Earl of Minto's seat, a large and modern-looking mansion, surrounded with beautiful grounds and noble trees, and commanding a grand and picturesque view of valley and mountain from an excellent point of observation. As soon as I lost sight of Teviotdale another grand vista of golden and purpled hills and rich valleys burst upon my sight as suddenly as theatrical sceneries are shifted on the stage. Dined in a little, rural, unpoetical village bearing the name of Lilliesleaf. Resuming my walk, I soon came in sight of the grand valley of the Tweed, a great basin of natural beauty, holding, as it were, Scotland's "apples of gold in pictures of silver." Every step commanded some new feature of interest. Here on the left arose to the still, blue bosom of the sky the three great Eildon Hills, with their heads crowned with heather as with an emerald diadem. The sun is low, and the far-off village in the valley shows dimly between the daylight and darkness. There is the shadow of a broken edifice, broken but grand, that arises out of the midst of the low houses. A little farther on, arches, and the stone vein-work of glassless windows, and ivy-netted towers come out more distinctly. I recognise them at the next furlong. They stand thus in pictures hung up in the parlors of thousands of common homes in America, Australia and India. They are the ruins of Melrose Abbey. Here is the original of the picture. I see it at last, as thousands of Americans have seen it before. In history and association it is to them the Westminster Abbey of Scotland, but in ruin. It looks natural, though not at first glance what one expected. The familiar engraving does not give us the real flesh and blood of the antiquity, or the complexion of the stone; but it does not exaggerate the exquisite symmetries and artistic genius of the structure. These truly inspire one with wonder. They are all that pen and pencil have described them. The great window, which is the most salient feature in the common picture, is a magnificent piece of work in stone, twenty-four feet in height and sixteen in breadth. It is all in the elm-tree order of architecture. The old monks belonged to that school, and they wrought out branches, leaves and leaf-veins, and framed the lacework of their chisels with colored glass most exquisitely.