We find Fra Bartolommeo again with a pencil drawing of S. Antonio in that saint's cell. Here also is Antonino's death-mask. The terra-cotta bust of him in Cosimo's cell is the most like life, but there is an excellent and vivacious bronze in the right transept of S. Maria Novella. Before passing downstairs again the library should be visited, that delightful assemblage of grey pillars and arches. Without its desks and cases it would be one of the most beautiful rooms in Florence. All the books have gone, save the illuminated music. In the first cloisters, which are more liveable-in than the ordinary Florentine cloisters, having a great shady tree in the midst with a seat round it, and flowers, are the Fra Angelicos I have mentioned. The other painting is rather theatrical and poor. In the refectory is a large scene of the miracle of the Providenza, when S. Dominic and his companions, during a famine, were fed by two angels with bread; while at the back S. Antonio watches the crucified Christ. The artist is Sogliano. In addition to Fra Angelico's great crucifixion fresco in the chapter house, is a single Christ crucified, with a monk mourning, by Antonio Pollaiuolo, very like the Fra Angelico in the cloisters; but the colour has left it, and what must have been some noble cypresses are now ghosts dimly visible. The frame is superb. One other painting we must see--the "Last Supper" of Domenico Ghirlandaio. Florence has two "Last Suppers" by this artist--one at the Ognissanti and this. The two works are very similar and have much entertaining interest, but the debt which this owes to Castagno is very obvious: it is indeed Castagno sweetened. Although psychologically this picture is weak, or at any rate not strong, it is full of pleasant touches: the supper really is a supper, as it too often is not, with fruit and dishes and a generous number of flasks; the tablecloth would delight a good housekeeper; a cat sits close to Judas, his only companion; a peacock perches in a niche; there are flowers on the wall, and at the back of the charming loggia where the feast is held are luxuriant trees, and fruits, and flying birds. The monks at food in this small refectory had compensation for their silence in so engaging a scene. This room also contains a beautiful della Robbia "Deposition".