I leave thee, beauteous Italy! No more From the high terraces, at even-tide, To look supine into thy depths of sky, The golden moon between the cliff and me, Or thy dark spires of fretted cypresses Bordering the channel of the milky way. Fiesole and Valdarno must be dreams, Hereafter, and my own lost Affrico Murmur to me but the poet's song. Landor gave his son Arnold the villa, settling a sum on his wife for the other children's maintenance, and himself returned to Bath, where he added to his friends Sir William Napier (who first found a resemblance to a lion in Landor's features), John Forster, who afterwards wrote his life, and Charles Dickens, who named a child after him and touched off his merrier turbulent side most charmingly as Leonard Boythom in "Bleak House". But his most constant companion was a Pomeranian dog; in dogs indeed he found comfort all his life, right to the end. Landor's love of his villa and estate finds expression again and again in his verse written at this time. The most charming of all these charming poems--the perfection of the light verse of a serious poet--is the letter from England to his youngest boy, speculating on his Italian pursuits. I begin at the passage describing the villa's cat:-- Does Cincirillo follow thee about, Inverting one swart foot suspensively, And wagging his dread jaw at every chirp Of bird above him on the olive-branch? Frighten him then away! 'twas he who slew Our pigeons, our white pigeons peacock-tailed, That feared not you and me--alas, nor him! I flattened his striped sides along my knee, And reasoned with him on his bloody mind, Till he looked blandly, and half-closed his eyes To ponder on my lecture in the shade. I doubt his memory much, his heart a little, And in some minor matters (may I say it?) Could wish him rather sager. But from thee God hold back wisdom yet for many years! Whether in early season or in late It always comes high-priced. For thy pure breast I have no lesson; it for me has many. Come throw it open then! What sports, what cares (Since there are none too young for these) engage Thy busy thoughts? Are you again at work, Walter and you, with those sly labourers, Geppo, Giovanni, Cecco, and Poeta, To build more solidly your broken dam Among the poplars, whence the nightingale Inquisitively watch'd you all day long? I was not of your council in the scheme, Or might have saved you silver without end, And sighs too without number. Art thou gone Below the mulberry, where that cold pool Urged to devise a warmer, and more fit For mighty swimmers, swimming three abreast? Or art though panting in this summer noon Upon the lowest step before the hall, Drawing a slice of watermelon, long As Cupid's bow, athwart thy wetted lips (Like one who plays Pan's pipe), and letting drop