Art -- Italy -- Venice; Venice (Italy) -- Description and travel
Torcello is of a different quality. Burano is intensely and rather
shockingly living; Torcello is nobly dead. It is in fact nothing but
market gardens, a few houses where Venetian sportsmen stay when they
shoot duck and are royally fed by kitcheners whose brass and copper make
the mouth water, and a great forlorn solitary cathedral.
History tells us that in the sixth century, a hundred and more years
after the flight of the mainlanders to Rialto and Malamocco, another
exodus occurred, under fear of Alboin and the invading Lombards, this
time to Torcello. The way was led by the clergy, and quickly a church
was built to hearten the emigrants. Of this church there remain the
deserted buildings before us, springing from the weeds, but on a scale
which makes simple realization of the populousness of the ancient
colony.
The charming octagonal little building on the right with its encircling
arcade is the church of S. Fosca, now undergoing very thorough repair:
in fact everything that a church can ask is being restored to it, save
religion. No sea cave could be less human than these deserted temples,
given over now to sightseers and to custodians who demand admittance
money. The pit railed in on the left before the cathedral's west wall is
in the ancient baptistery, where complete immersion was practised. The
cathedral within is remarkable chiefly for its marble throne high up in
the apse, where the bishop sat with his clergy about him on
semi-circular seats gained by steps. Above them are mosaics, the Virgin
again, as at S. Donato, in the place of honour, but here she is given
her Son and instantly becomes more tender. The twelve apostles attend.
On the opposite wall is a quaint mosaic of the Last Judgment with the
usual sharp division of parties. The floor is very beautiful in places,
and I have a mental picture of an ancient and attractive carved marble
pulpit.
The vigorous climb the campanile, from which, as Signor Rooskin says,
may be seen Torcello and Venice--"Mother and Daughter ... in their
widowhood." Looking down, it is strange indeed to think that here once
were populous streets.
On the way to the campanile do not forget to notice the great stone
shutters of the windows of the cathedral; which suggest a security
impossible to be conveyed by iron. No easy task setting these in their
place and hinging them. What purpose the stone arm-chair in the grass
between the baptistery and S. Fosca served is not known. One guide will
have it the throne of Attila; another, a seat of justice. Be that as it
may, tired ladies can find it very consoling in this our twentieth
century.
For antiquaries there is a museum of excavated relics of Torcello; but
with time so short it is better to wander a little, seeking for those
wild flowers which in England are objects of solicitude to gardeners, or
watching butterflies that are seen in our country only when pinned on
cork.
Public-domain text, read in full here on John Shaqi.
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