Art -- Italy -- Venice; Venice (Italy) -- Description and travel
Wagner's impressions of Venice, where, some twenty-four years later, he
was to end his anxious and marvellous life, seem to me so interesting
that I quote a little more: "There was little else that attracted my
attention in the oppressed and degenerate life of the Venetian people,
and the only impression I derived from the exquisite ruin of this
wonderful city as far as human interest is concerned was that of a
watering-place kept up for the benefit of visitors. Strangely enough, it
was the thoroughly German element of good military music, to which so
much attention is paid in the Austrian army, that brought me into touch
with public life in Venice. The conductors in the two Austrian regiments
quartered there began playing overtures of mine, _Rienzi_ and
_Tannhaeuser_ for instance, and invited me to attend their practices in
their barracks. There I also met the whole staff of officers, and was
treated by them with great respect. These bands played on alternate
evenings amid brilliant illuminations in the middle of the Piazza San
Marco, whose acoustic properties for this class of production were
really excellent. I was often suddenly startled towards the end of my
meal by the sound of my own overtures; then as I sat at the restaurant
window giving myself up to impressions of the music, I did not know
which dazzled me most, the incomparable Piazza magnificently illuminated
and filled with countless numbers of moving people, or the music that
seemed to be borne away in rustling glory to the winds. Only one thing
was wanting that might certainly have been expected from an Italian
audience: the people were gathered round the band in thousands listening
most intently, but no two hands ever forgot themselves so far as to
applaud, as the least sign of approbation of Austrian military music
would have been looked upon as treason to the Italian Fatherland. All
public life in Venice also suffered by this extraordinary rift between
the general public and the authorities; this was peculiarly apparent in
the relations of the population to the Austrian officers, who floated
about publicly in Venice like oil on water. The populace, too, behaved
with no less reserve, or one might even say hostility, to the clergy,
who were for the most part of Italian origin. I saw a procession of
clerics in their vestments passing along the Piazza San Marco
accompanied by the people with unconcealed derision.
Public-domain text, read in full here on John Shaqi.
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