At the same moment, just as we were scrambling down from the battery to get to the body, we heard a shout, and saw a man running down the bank of the martello tower. He was the caretaker stationed there, and his keen old eyes had managed to descry through the mist that something was wrong. He had seen Paxton fall, and had seen us a moment after, running up--fortunate this, for otherwise we could hardly have escaped suspicion of being concerned in the dreadful business. Had he, we asked, caught sight of anybody attacking our friend? He could not be sure. We sent him off for help, and stayed by the dead man till they came with the stretcher. It was then that we traced out how he had come, on the narrow fringe of sand under the battery wall. The rest was shingle, and it was hopelessly impossible to tell whither the other had gone. What were we to say at the inquest? It was a duty, we felt, not to give up, there and then, the secret of the crown, to be published in every paper. I don’t know how much you would have told; but what we did agree upon was this: to say that we had only made acquaintance with Paxton the day before, and that he had told us he was under some apprehension of danger at the hands of a man called William Ager. Also that we had seen some other tracks besides Paxton’s when we followed him along the beach. But of course by that time everything was gone from the sands. No one had any knowledge, fortunately, of any William Ager living in the district. The evidence of the man at the martello tower freed us from all suspicion. All that could be done was to return a verdict of wilful murder by some person or persons unknown. Paxton was so totally without connections that all the enquiries that were subsequently made ended in a No Thoroughfare. And I have never been at Seaburgh, or even near it, since. AN EVENING’S ENTERTAINMENT Nothing is more common form in old-fashioned books than the description of the winter fireside, where the aged grandam narrates to the circle of children that hangs on her lips story after story of ghosts and fairies, and inspires her audience with a pleasing terror. But we are never allowed to know what the stories were. We hear, indeed, of sheeted spectres with saucer eyes, and--still more intriguing--of “Rawhead and Bloody Bones” (an expression which the Oxford Dictionary traces back to 1550), but the context of these striking images eludes us.