A Widow's Tale, and Other StoriesOliphant, Mrs. (Margaret)
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A Widow's Tale, and Other Stories
Oliphant, Mrs. (Margaret)
Fiction; Short stories
Mademoiselle read this letter over three times, almost without
breathing, and then she laid it down on the table before her, and grew,
not red, but pale. Her lips dropped apart with a long-drawn breath which
seemed to come from the very depths of her being; the blood seemed to
ebb away from her heart; she grew white like marble, and almost as
chill, with a nervous shiver. She was terrified, panic-stricken,
dismayed. If all the anger had gone out of her it had been replaced by
something else more trying still. Astonishment in the first place,
dismay, a panic which impelled her to rise and flee. But this it was
impossible to do out of this well-regulated house, where all went on
with such unfailing routine, and there were no breaches either of
decorum or of hours. To have gone out after dinner, unless for an
understood engagement, would have scandalised every inmate, as well as
Mademoiselle herself, who also had far too much good sense to allow for
a moment, even to herself, that it was possible to run away. No; she
had, as is usual, something much worse to do--to remain; to meet the man
who, she thought, had insulted her, who, instead of insulting her, had
done her the greatest honour in his power, who had attracted her
sympathy and liking, and now had made himself one of the most
interesting of all mankind in her eyes--to meet him without betraying by
a sign that anything had ever passed between them more than good-night
or good-morrow, to discourage and dismiss him summarily at once, yet to
be always ready to receive him when he deigned to converse with her, as
though never a word had been said between them which all the world need
not hear. Mademoiselle's first impulse was absolute dismay; the
embarrassment of the situation struck her above everything else.
Everything about it was embarrassing. She would have to answer his
letter, yet she must put her answer in the post herself, keeping it away
from all prying eyes: for why should she write to Charles Wargrave, the
cousin of the house? Supposing that the housemaid saw it, that Edith or
Dorothy saw it? Though she was utterly blameless, how could that be
proved,--how could she keep their untutored minds from drawing their own
conclusions? She had nothing whatever to blush for, and yet she blushed
instinctively, involuntarily, at the idea of being found out in a
correspondence with Charles Wargrave. How much more, she said to herself
with fright, had she accepted his offer (wild thought which sent all
her pulses beating!). And then she must meet him absolutely unmoved; not
only without a look or word, but without the suspicion of a breath that
could have any meaning. The air must not move a fold of her dress or
lock on her forehead, lest it might be supposed that she trembled. These
were difficulties of which he would never think--how should he?--of
which nobody would think who was not in her position. And though nothing
else came of it, this must come of it. Nothing else! What else? She
Public-domain text, read in full here on John Shaqi.
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