A Widow's Tale, and Other StoriesOliphant, Mrs. (Margaret)
General
A Widow's Tale, and Other Stories
Oliphant, Mrs. (Margaret)
Fiction; Short stories
It is a bad thing not to leave an address, but it is not such an
effectual shield of privacy as might be wished. What with directories
and other aids, it is very difficult for any one who does not belong to
the hopelessly nomadic portion of the population to conceal their
whereabouts for long. Charles Wargrave had all his wits about him, and
he knew his Paris as well as foreigners ever succeed in knowing that
wonderful city. The result of his investigations was that before a
fortnight had passed he knocked at a door on the second floor of a house
in one of the smaller streets near the Arc de Triomphe, and asked to see
Madame Castel. He was shown into a tiny salon, looking out upon a narrow
court,--a little room full of traces of a larger life, which did not
make it more attractive now, with furniture too large, pictures which
seemed to overshadow its small dimensions like clouds--relics evidently
of a time when the family life was not pinched and restrained as now. A
photograph of Claire was on the mantelpiece among other household
treasures, at sight of which the visitor gave an exclamation of relief:
for, though he had come in so boldly, he had been quite uncertain
whether this was or was not the place he was seeking. He was standing
before the little picture which had given him the welcome assurance that
he was right, when the door opened and an old lady came in. She was, as
Mrs Leicester Wargrave had suggested, quite an old lady, with, a cap
made of black lace covering her rusty grey hair. Keen curiosity and an
almost hunger of earnestness were in her blue eyes, which kept their
colour and brightness, though the countenance was so faded. She had the
air of one who had kept asking, "What is it? what is it?" for weary and
unsatisfied years. She was dressed with that curious neglect which
characterises so many Frenchwomen indoors, in garments indescribably
dingy, of the colour of poverty, a well-ascertained and understood
hue--the same, with variations, which was visible in the carpets and
curtains and all the old furniture--but had so much intelligence in her
face that her age and shabbiness had nothing in them that was
disagreeable. Charles Wargrave made her his bow, like an Englishman,
not like a Frenchman, and the old lady, though her nationality had been
partly washed out by long acquaintance with Parisian shabbiness and
mannerisms and formality, the reverse of the medal of which the brighter
side only is visible to visitors, noted the difference with a favourable
impression. There was a certain witchlike ruggedness in her features and
look which betrayed the old Scotch stock, never uncongenial with the
French, from which she sprang.
"You have a daughter, Madame," said Wargrave, who felt as shy as a
schoolboy before the keen old lady, who measured him from head to foot
with her penetrating eyes.
Public-domain text, read in full here on John Shaqi.
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