A Widow's Tale, and Other StoriesOliphant, Mrs. (Margaret)
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A Widow's Tale, and Other Stories
Oliphant, Mrs. (Margaret)
Fiction; Short stories
The little house was very still; there were hurried steps overhead, as
if two people were moving about. It was the mother hastily being put in
order for a visitor--her cap arranged, a clean collar put on, the young
wife dancing about her in great excitement to make all nice. This
process of decoration occupied some time, and as it went on the visitor
came fully to herself. What should she do? As she recovered full command
of herself she shrunk from inflicting such a blow even upon the mother.
Should she go away before they came down?--disappear like a dream, take
no notice, but leave the strange little drama--what was it, comedy or
tragedy?--to work itself out? Why should she interfere, after all? If he
liked this best--and all the harm was now done that could be done--the
best thing was to go away and take no more notice. She had risen with
this intention to slip away, to let herself out, not to interfere, when
another sound became audible--the sound of a door opening in the back
part of the house. Then a voice called "Rose"--a voice which, in spite
of herself, made the visitor's brain swim once more. She had to stop
again perforce. And then a step came towards the room in which she was;
a heavy step, with a little gouty limp in it--a step she knew so well.
It came along the passage, accompanied by a running commentary of
half-complaint. "Where are you? I want you." Then the door of the little
drawing-room was pushed open. "Why don't you answer me?" He paused there
in the doorway, seeing a stranger--with a quick apology--"I beg your
pardon." Then suddenly there came from him a cry--a roar like that of a
wounded animal--"ELEANOR!"
Neither of the two ever forgot the appearance of the other. She saw him
with the little passage and its stronger light opening behind him, his
large figure relieved against it; the sudden look of consternation,
horror, utter amaze in his face. Horror came first; and then everything
yielded to the culprit's sense of unspeakable downfall, guilt
self-convicted and without excuse. He fell back against the wall; his
jaw dropped; his eyes seemed to turn upon themselves in a flicker of
mortal dismay. The entire failure of all force and self-defence did not
disarm his wife, as might have been supposed, but filled her with a
blaze of sudden vehemence, passion which she could not contain. She had
said his name as he said hers, in a quiet tone enough; but now stamped
her foot and cried out, feeling it intolerable, insupportable. "Well!"
she cried, "stand up for it like a man! Say you are sick of me, of your
children, of living honestly these fifty years. Say something for
yourself. Don't stand there like a whipped child."
But the man had nothing to say. He stood against the wall and looked at
her as if he feared a personal assault. Then he said, "She is not to
blame. She is as innocent as you are."
"I have seen her," said the injured wife. "Do you think you need to tell
me that? But then, what are you?"
Public-domain text, read in full here on John Shaqi.
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