A low and narrow postern, opening upon a ditch choked with rubbish, gave access to the château. Who had dwelt there none knew. No doubt some margrave, half lord, half brigand, had sojourned in it; to the margrave had succeeded bandits or counterfeit coiners, who had been hanged on the scene of their crime. The legend went that, on winter nights, Satan came to lead his diabolical dances on the slope of the deep gorges in which the shadow of these ruins was engulfed. But Master Zacharius was not dismayed by their sinister aspect. He reached the postern. No one forbade him to pass. A spacious and gloomy court presented itself to his eyes; no one forbade him to cross it. He passed along the kind of inclined plane which conducted to one of the long corridors, whose arches seemed to banish daylight from beneath their heavy springings. His advance was unresisted. Gerande, Aubert, and Scholastique closely followed him. Master Zacharius, as if guided by an irresistible hand, seemed sure of his way, and strode along with rapid step. He reached an old worm-eaten door, which fell before his blows, whilst the bats described oblique circles around his head. An immense hall, better preserved than the rest, was soon reached. High sculptured panels, on which serpents, ghouls, and other strange figures seemed to disport themselves confusedly, covered its walls. Several long and narrow windows, like loopholes, shivered beneath the bursts of the tempest. Master Zacharius, on reaching the middle of this hall, uttered a cry of joy. On an iron support, fastened to the wall, stood the clock in which now resided his entire life. This unequalled masterpiece represented an ancient Roman church, with buttresses of wrought iron, with its heavy bell-tower, where there was a complete chime for the anthem of the day, the “Angelus,” the mass, vespers, compline, and the benediction. Above the church door, which opened at the hour of the services, was placed a “rose,” in the centre of which two hands moved, and the archivault of which reproduced the twelve hours of the face sculptured in relief. Between the door and the rose, just as Scholastique had said, a maxim, relative to the employment of every moment of the day, appeared on a copper plate. Master Zacharius had once regulated this succession of devices with a really Christian solicitude; the hours of prayer, of work, of repast, of recreation, and of repose, followed each other according to the religious discipline, and were to infallibly insure salvation to him who scrupulously observed their commands. Master Zacharius, intoxicated with joy, went forward to take possession of the clock, when a frightful roar of laughter resounded behind him. He turned, and by the light of a smoky lamp recognized the little old man of Geneva. “You here?” cried he. Gerande was afraid. She drew closer to Aubert. “Good-day, Master Zacharius,” said the monster. “Who are you?”