On perusing this, La Klosking held _two_ white hands up to heaven in
amazement at the skill and good taste which had dragged this feature into
the incident.
“A DRAMATIC SITUATION.
“A circumstance has lately occurred here which will infallibly be seized
on by the novelists in search of an incident. Mademoiselle Klosking, the
new contralto, whose triumphant progress through Europe will probably be
the next event in music, walked into the Kursaal the other night, broke
the bank, and walked out again with twelve thousand pounds, and that
charming composure which is said to distinguish her in private life.
“What makes it more remarkable is that the lady is not a gamester, has
never played before, and is said to have declared that she shall never
play again. It is certain that, with such a face, figure, and voice as
hers, she need never seek for wealth at the gambling-table. Mademoiselle
Klosking is now in negotiation with all the principal cities of the
Continent. But the English managers, we apprehend, will prove awkward
competitors.”
Were I to reproduce the nine other paragraphs, it would be a very
curious, instructive, and tedious specimen of literature; and, who knows?
I might corrupt some immaculate soul, inspire some actor or actress,
singer or songstress, with an itch for public self-laudation, a foible
from which they are all at present so free. Witness the _Era,_ the
_Hornet,_ and _Figaro._
Ina Klosking spotted what she conceived to be a defect in these
histories. “My friend,” said she meekly, “the sum I won was under five
thousand pounds.”
“Was it? Yes, to be sure. But, you see, these are English advertisements.
Now England is so rich that if you keep down to any _Continental_ sum,
you give a false impression in England of the importance on the spot.”
“And so we are to falsify figures? In the first of these legends it was
double the truth; and, as I read, it enlarges--oh, but it enlarges,” said
Ina, with a Gallicism we shall have to forgive in a lady who spoke five
languages.
“Madam,” said Ashmead, dryly, “you must expect your capital to increase
rapidly, so long as I conduct it.”
Not being herself swift to shed jokes, Ina did not take them rapidly. She
stared at him. He never moved a muscle. She gave a slight shrug of her
grand shoulders, and resigned that attempt to reason with the creature.
She had a pill in store for him, though. She told him that, as she had
sacrificed the longings of her heart to the poor of the theater, so she
should sacrifice a portion of her ill-gotten gains to the poor of the
town.
He made a hideously wry face at that, asked what poor-rates were for, and
assured her that “pauper” meant “drunkard.”
“It is not written so in Scripture,” said Ina; “and I need their prayers,
for I am very unhappy.”
Public-domain text, read in full here on John Shaqi.
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