The duration of such beauty as Zoe's is proverbially limited; but the
limit to its power, while it does last, has not yet been discovered. It
is a fact that, as soon as she came close to the table two male gamblers
looked up, saw her, wondered at her, and actually jumped up and offered
their seats: she made a courteous inclination of the head, and installed
Miss Maitland in one seat, without reserve. She put a little gold on the
table, and asked Miss Maitland, in a whisper, to play for her. She
herself had neither eye nor ear except for Ina Klosking. That lady was
having a discussion, _sotto voce,_ with Ashmead; and if she had been one
of your mumblers whose name is legion, even Zoe's swift ear could have
caught little or nothing. But when a voice has volume, and the great
habit of articulation has been brought to perfection, the words travel
surprisingly.
Zoe heard the lady say to Ashmead, scarcely above her breath, “Well, but
if he requested you to bet for him, how can he blame you?”
Zoe could not catch Ashmead's reply, but it was accompanied by a shake of
the head; so she understood him to object.
Then, after a little more discussion, Ina Klosking said, “What money have
you of mine?”
Ashmead produced some notes.
“Very well,” said the Klosking. “Now, I shall take my twenty-five pounds,
and twenty-five pounds of his, and play. When he returns, we shall, at
all events, have twenty-five pounds safe for him. I take the
responsibility.”
“Oh,” thought Zoe; “then he _is_ coming back. Ah, I shall see what all
this means.” She felt sick at heart.
Zoe Vizard was on the other side, but not opposite Mademoiselle Klosking;
she was considerably to the right hand; and as the new-comer was much
occupied, just at first, with Ashmead, who sat on her left, Zoe had time
to dissect her, which she did without mercy. Well, her costume was
beautifully made, and fitted on a symmetrical figure; but as to color, it
was neutral--a warm French gray, and neither courted admiration nor
risked censure: it was unpretending. Her lace collar was valuable, but
not striking. Her hair was beautiful, both in gloss and color, and
beautifully, but neatly, arranged. Her gloves and wristbands were
perfect.
As every woman aims at appearance, openly or secretly, and every other
woman knows she does, Zoe did not look at this meek dress with male
simplicity, unsuspicious of design, but asked herself what was the
leading motive; and the question was no sooner asked than answered. “She
has dressed for her golden hair and her white throat. Her hair, her deep
gray eyes, and her skin, are just like a flower: she has dressed herself
as the modest stalk. She is an artist.”
Public-domain text, read in full here on John Shaqi.
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