England -- Fiction; Man-woman relationships -- Fiction; Murder -- Fiction
Joan sat up and stared. Was it an awful nightmare? No! As the
interview proceeded between the aristocratic lady and the miserable
ex-criminal, the husband she had hoped was dead, and with him her past
degradation and misery, Joan recognized that the stage play was not only
real, and no bad dream, but the parallel of her own miserable story.
The unfortunate heroine had met and loved and been courted by Sir Dyved
Chumleigh while trying to live down her secret past. And just when she
seemed sure of present and future happiness, the wretch who had stolen
her affection traded on it, and then having been imprisoned for fraud,
perjury, and what not, had appeared in the flesh to blast her whole
life.
The curtain descended upon a passionate scene. The unhappy woman, after
a spurt of useless defiance, fell on her knees to adjure, bribe, appeal
to the man’s baser nature, since he seemed to be in possession of no
better feeling. He listened grimly. The outcome of the encounter was
left to the next act.
"Dearest, it is upsetting you, I am afraid," said Vansittart, as the
turned-up lights showed him Joan pale and gasping. "But don’t think
that villain will have it all his own way. I read a _resumé_ of the
plot, and she kills him before the curtain falls on the last act."
"What?" said Joan, gazing at him--very strangely, he thought. He was
about to propose they should leave the theatre, when there was a knock
at the box door, and Mr. Hunt came in.
"Well, how do you like it?" he asked pleasantly, accepting Vansittart’s
chair.
CHAPTER XXXI
When Vansittart had spoken those awful words, in a light, almost
reassuring manner, "she kills him before the curtain falls on the last
act," Joan first felt as if her whole mental and physical being were
convulsed with a strange, almost unearthly, pain; then everything surged
around her, and threatened to sink away into blackness, blankness.
Good heavens, she was going to faint! With an effort of will she fought
against unconsciousness; gasped for breath, struggled to maintain her
senses, and was rewarded by coming slowly back out of the mists, and
seeing the plain, clever face of the dramatic critic appear opposite,
seemingly from nowhere. Then she heard that Vansittart was expressing
disapprobation of the play.
"I only happened to glance at the plot in your article in the
_Parthenon_ just before we came," he was saying. "It was the very last
kind of play I should have chosen for Miss Thorne to see had I known the
story."
"Indeed?" Mr. Hunt smiled, but Joan thought he gave her a suspicious,
enquiring look. It was enquiring; he was wondering whether this
beautiful girl were not the prey of some latent but awful disease--her
ghastliness, the expression of anguish on her face, was undeniably the
effect of some secret suffering. But Joan could not read his thoughts.
She was frightened into bravado.
Public-domain text, read in full here on John Shaqi.
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