England -- Fiction; Man-woman relationships -- Fiction; Murder -- Fiction
He kissed some colour into her white cheeks and lips; and then the
wedding party began to flock in. Carriage after carriage drove up, and
the bridesmaids and young men, the older relatives and friends, crowded
the drawing-room, and there were embracings and congratulations--not
half over when luncheon was announced. It was a gay, or a seemingly gay
wedding breakfast. Joan went through it all with a curious feeling of
unreality. She heard herself and her loved husband toasted, she heard
his eloquent yet well-balanced little speech. She smiled upon those who
spoke to her with the almost reverential solicitude with which a bride
is addressed on her marriage day, and she muttered some reply, although
she did not seem to gather the meaning of their speeches. She cut the
cake, she rose and adjourned upstairs when the rest went to the
drawing-room. Happily, she had to hurry her "going away" toilette, which
was presided over by her aunt, in the seventh heaven of delight at her
only niece’s splendid marriage, and by her aunt’s maid--Julie having
already started with Lord Vansittart’s valet and the luggage, to be on
board the yacht with everything ready when the bride and bridegroom
arrived. Happily there was not a spare moment to be wasted if they
meant to "catch the train" they had planned to start by. Before she was
quite ready, Vansittart’s voice was heard outside the door, hurrying
them. They were obliged to hasten their farewells, and drive rapidly to
the station--the terminus they were starting from no one knew but Sir
Thomas, who was bound to secresy.
But even when the express was rattling across the sunlit country
seawards, Joan feverishly told herself that she was not yet safe. Since
that posy was offered her at the church door, since she had read those
awful words written on the label, and had looked into those menacing
blue eyes, a renewed, augmented fear had seemed to half paralyze her,
body and soul; more than fear, worse than dread--a horrible conviction
of coming doom.
It asserted itself even when she lay on her husband’s breast in their
reserved compartment, listening to the passionate utterances of intense
and devoted love with which he hoped to dispel her nervous
terrors--terrors which, although he began to understand that she had
unfortunately been drawn into being one of the actors in an undesirable
life drama, he regarded as mere vapours which could be dispelled by an
equable, peaceful life shared by him and ruled by common sense. Those
clear, threatening blue eyes seemed still gazing into hers, penetrating
to the secrets hidden in her soul. All through Vansittart’s endearing
words, the bright pictures he verbally drew of their coming happiness,
those words repeated themselves in her ears--"Vengeance is Mine! I will
repay, saith the Lord!"
Public-domain text, read in full here on John Shaqi.
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