England -- Fiction; Man-woman relationships -- Fiction; Murder -- Fiction
One trunk was soon full of linen and odds and ends. This she locked,
and proceeded to fill the next. The books came first--mere remnants of
volumes, mostly French, with morsels of yellow paper cover adhering to
them. But--strongly redolent of tobacco, she put them carefully in a
layer beside the cases of pipes, and the odd-looking curios he had
collected. They seemed almost part of him, somehow, those pipes. That
they should be there, smelling of the weed he had smoked, and he should
be mouldering in his grave in that densely populated cemetery! She
shuddered. Her hand trembled: she picked up a yellow volume, _Quatre
Femmes et un Perroquet_, with eyes brimming over with tears, picked it
up carelessly; something fell out.
Something? Two things--one, a soiled little photograph. As she seized
it her tears dried--her eyes burned. It was the photograph of three
girls.
Evidently an amateur attempt--badly mounted. Three girls in summer
frocks and aprons, two standing, one seated on a bench--in front there
was grass--at the back, part of a brick house and some shrubs.
Fiercely, with intense anxiety, she stared at the three faces. Two were
round and plain: these belonged to the girls--fifteen or sixteen years
of age at the utmost--who were standing. The face of the seated girl
was a beautiful one: full of sweet pathos, and yet with a tender happy
smile about the mouth.
"Too young to be that awful woman," she mused, crouching on the floor,
and gazing. Still, one of them might have been her daughter. The woman,
by his account, had been older than Victor, possibly a widow with a
child, or children.
She was so absorbed in contemplation that she forgot the other "thing"
which had fallen from the book, until, as she laid aside the triple
portrait and began to resume her task, she saw it and pounced upon
it--darted upon it like a serpent upon its prey--for it was a letter,
and in a feminine handwriting.
A letter--soiled, its edges worn--it almost fell to pieces as she
touched it. Yet it was, by its date, written but a few years
previously.
The hand-writing was unformed. But it was unmistakably a love-letter.
"Dearest Victor," it ran. "I am longing to see you quite as much as you
are wishing to see me. You say, if I cannot answer your question to me
the other night you would rather not see me any more! It has made me
very unhappy. You see, I am so young to be married. Then, if I did
what you say, it would kill my poor mother, who is so very ill. But I
do love you, Victor! I dream of you nearly every night. Sometimes you
are Manfred, sometimes Childe Harold, and last night you were Laon and I
was your ’child Cythna!’ It was so sweet--we were lying side by side on
a green hill, your eyes gazing into mine, and I seemed to hear some one
singing ’Oh, that we two were maying’! Dear Victor, I must do all you
ask: I could not bear not to see you again! It would break my heart!
Your promised wife,
JOAN."
Public-domain text, read in full here on John Shaqi.
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