He had looked up and caught me blushing a deep, painful red, but it
wasn't on account of what he had intimated. I was blushing because of
the discovery in myself of needs which, compared to the ideal of life I
had set for myself, were as much of a defection as anything our
conversation had suggested for Henry Mills. I was conscious in those
days of a slow, steady seepage of all my forces toward desperation.
"You'll have to take a company out for yourself," was Jerry's solution.
"I'll write you a play. I've got a ripping idea--a man, with a gift, and
two women, good women both of them--that's where I score against the
eternal triangle--each of them trying to save him from the other and
breaking him between them." Jerry's plays were never anything more than
dramatizations of his immediate experience. "You and Sarah Croyden, you
set each other off; I'll write it for both of you." He walked up and
down in my little room with his hands in his pockets and his shining
black hair rising like quills.
"Jerry, how long will it take you to write that play? And how much will
it cost to produce it?"
"Ten thousand dollars," he answered to the last question. "About
eighteen months if I go right at it."
"And I've money enough to last me to the end of February. No," to his
swift generous gesture. "You have to live eighteen months on yours--and
another child coming." I made up my mind that I should have to speak to
Pauline and Henry Mills.
Greater than any mystery of creative art to me, is the mystery by which
the recipients of its benefits manage to keep ignorant of its essential
processes. I have never been able to figure to myself how Pauline and
Henry escaped knowing that the creative mood, the keen hunger of which
is more importunate than any need of food or raiment, was to be had for
very little more than they spent fattening their souls on its choice
products. For it is always to be bought; it is the distinction of genius
as against talent, always to know in what far, unlikely market the
precious commodity is to be bought. How was it that Henry escaped
knowing that the appealing femininity which plays so large a part in the
success of an actress with an audience of Millses, is largely the result
of having been the object of that solicitious protection which it is
supposed to provoke? With what, since it was agreed between Pauline and
me that I was not to pay down on that counter what Cecelia and Jerry
parted with cheerfully, was I ultimately to pay for it? Now that I had
on all sides of me the witness of desperation, I began to be irritated
at the way in which, in view of our long friendship, they accepted it
for me.
Public-domain text, read in full here on John Shaqi.
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