"Mr. Eversley is not in this morning," I was told. They pretended, too,
not to know when he would be in. I understood that this meant that he
was in, but probably asleep or breakfasting. I found a chair close to
one of the elevators and waited. The room was warm and I was faint. I do
not know how long I sat there; I must have been almost unconscious.
Suddenly I snapped alert. There was Eversley and two or three others
stepping into the elevator on the opposite side of the room. I was too
late of course to catch them.
"Mr. Eversley's apartments," I said to the elevator boy.
"First turn to the left," he told me when he had let me out on the
fourth floor. I was afraid to ask the number of the room lest he should
suspect me of intruding. There were five or six doors down the left
corridor. I knocked at one at a hazard, and was rejected by a large
woman in deshabille. I was discouraged; somehow the prospect of knocking
at every one of those doors and inquiring for Mr. Eversley daunted me. I
was dividing between my dread of that and a still greater dread, if I
should be found loitering too long in the corridor, of being taken for a
suspicious person. In a few moments, however, a woman came out of one of
the doors farthest down and moved toward me. I thought it was she I had
seen getting into the elevator with Mr. Eversley; she had the gracious
air of women who know themselves relied upon. She stopped, hypnotized by
my evident wish to speak to her.
"Mrs. Eversley?" She acknowledged it. "I am trying to find your husband;
I have his permission," I interpolated as I saw her pleasant, open
countenance close upon me. I learned afterward how much of her life went
to saving him the strain of publicity, and I did not blame her.
"My husband never sees visitors in the morning."
"If you would show him this card," I begged. "Perhaps he would make an
appointment." She recognized the writing on the card, and I saw her
relenting. Mr. Eversley, it proved, would see me.
He pretended kindly to have recognized me at once, but he didn't ask
after the Hardings. He saw that it was the last lap with me.
"My dear Miss Lattimore, sit here. Now, tell me."
"So," I concluded at the end of half an hour, "I thought you could tell
me if it is all gone. If I am never to have it back again, I can go with
a musical comedy." I hadn't told him, of course, what the conditions
were of my having even that, "but if you think it could be brought back
again ..." I could hardly formulate a hope beyond that.
"Never in the old way," he answered promptly. "_You_ wouldn't wish that.
What you did at twenty you must not wish to do at thirty, for then there
is no growth. What do you really feel about it?"
"I feel," I said, "as if I could do something--something pressing to be
done, but somehow different, so different that I do not know how to
describe it to anybody nor to get them to believe in it."
"And so you have begun to doubt it yourself?"
"I shall believe you," I said.
Public-domain text, read in full here on John Shaqi.
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