"I remember. You know, I think I went there that time because I heard
you were playing there." He was silent a moment, pitching bits of sod
into the river. "There is something that manages these things. If I had
met you then we couldn't have been like this. And we might never have
met again."
When he said "like this," he had touched my knee with his hand with that
possessive intimacy with which a man may touch his own woman. I had to
go back to the photographs of the children to save myself from the
blinding lightning of his eyes.
"_Are_ they like their mother?"
"I suppose so. I hope so--she was a good woman."
"I'm sure of that." He sat up with intention.
"Ah, it isn't just a sense of what is due her that makes me say that.
She was thoroughly good. When I met her out in Idaho she was my chief's
daughter and the only nice girl in the place. She wasn't what you
are--no other woman is--but she was one of those plain, quiet women that
have a kind of a grip on rightness. There was nothing could make her let
go."
"My mother was like that. I think I can understand."
"Well, it was mighty good for me. I'm a bad lot, I suppose. I always
want things harder than most, and I think the wanting justifies me in
getting them, but she taught me better. She did things to me that made
me fit for you, and I don't want us to forget that."
"Oh, my dear, it is I who am not fit."
But I could see he did not believe that. He had come upon me that day in
the woods when happily the mood of Perdita had shut round the odd,
blundering Olivia like an enchanter's bubble, through which iridescent
surfaces he was always to see me; and by the mere act of loving he had
fixed me in my happiest moment. He was the only man I ever knew, whom I
could handle like an audience, perhaps he was the only man who never
knew me in any other character than the lady of romance.
We went that evening to see Beerbohm Tree in a Shakespearian piece,
always so much more worth while in London than anything the same people
can do on any other soil, as if the play had mellowed there by all the
rich life it tapped with its four-hundred-year roots. Borne up by my
mood and the beauty of the production, so much greater than anything we
could manage in New York at that time, I was chanting bits of it all the
way home, and when we came to my room again I moved before him in the
part of Egypt's queen.
"Who's born the day
When I forget to send to Antony
Shall die a beggar----"
"Oh, Helmeth, if you could just see me do it!" I was aching to lay up my
gift before him as on an altar.
"You shall do them all for me when we are out in the shack in Mexico."
"Mexico!" I was blank for the moment.
"We'll have to live there for a few years, until I get this scheme on
its legs. Look here, Olivia, you haven't said yet when you are going to
marry me."
"I've only known you four days!" I tried for the note of feminine
evasion.
Public-domain text, read in full here on John Shaqi.
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