"Ach, my Gott," in moments of great excitement he reverted to the trick
of the tongue to which he was born. "All these years I have waited for
this, I have said Miss Lattimore is a great actress, she has talent, she
has brains, and when she will have passion--Pouff!" He blew out his
loose lips and made a balloon with his hands to express the rate at
which I would rise in the scale of tragic actresses. "And now that it
has happened, she wants to live in Mexico." He deflated himself
suddenly, folded his hands over what he believed to be his bosom, and
looked at me reproachfully. This being the first time he had studied my
face directly since I came home, I suppose he must have seen there my
doubt and indecision.
"Understand me," he said soberly, "I have known a lot of actresses, and
I want to tell you that this marrying business don't pay. They got to
come back to the stage; they got to. You ain't going to be any
different down there in Mexico to what you are in New York, understand
me. _Yah!_ Mexico!" The word seemed to inflame him. But he had the sense
to let me alone for a while.
A few days later I saw in the paper that he had taken the lease of the
theatre he had mentioned to me, and I knew that he wasn't counting on my
going to Mexico.
I suppose if I had had the courage to look into my own mind to find out
what I wished to do, I might have surmised what was going on there from
the fact that I didn't mention the idea of marriage to Sarah. I have
tried--all this book has had no other purpose in fact, than to try to
tell how I came to be in the relation I was to Helmeth Garrett, came
into it as to a room long prepared for me, without any struggles or
tormenting, and without thinking much about the effect that his presence
in my life would have upon my work. I suppose that in as much as I had a
man's attitude toward work, I had come unconsciously to the man's habit
of keeping love and my career, in two watertight compartments. I found I
was not able to think of them as having much to do with one another.
Still less had I the traditional shames of my situation.
I remember the first time I went to rehearsal, groping about in my
consciousness for the source of what I felt suddenly divide me from the
rest of my company, and finding it in the knowledge of myself as a
woman acquainted with passion, with a secret, delicious life. And far
from identifying me with the cheapness and betrayal which until now I
had supposed inseparable from the uncertified union, it set me apart in
the aloofness of the exclusive, the distinguishing experience. It
remained for Sarah to pierce me, in spite of all I intrinsically felt my
relation to Helmeth Garrett to be, with the knowledge of where I stood
in the world which I still believed had the last word about human
conduct.
Public-domain text, read in full here on John Shaqi.
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