"I'll tell you what comes--women everywhere getting courage to live
lives of their own. Do you remember what you went through in Higgleston?
Well, the more women there are like you, the less there will be of that
for any of them. It is the conscious movement of us all toward liberty
that's going round with you." I was dashed by the breadth and brightness
of her view.
"Effie," I said, "is this a new kind of toy to dangle before your
intelligence to keep it from realizing it isn't getting anywhere?"
"Like the love affairs of your friends?" she came back at me promptly.
"No, it isn't; it's--well, I guess it's a religion."
I believed as I dressed at the theatre that night, that it was the
contagion of Effie's enthusiasm that keyed me up to a pitch that I
thought I shouldn't have reached without Helmeth. I had counted so on
his being there for the first night, but he was still in London, and for
a week I hadn't heard from him.
I needed something then to account, as I proceeded with my part, for the
extraordinary richness of power, the delicacy and precision with which I
put it over line by line to my audience. I played, oh, I played! I felt
the audience breathing in the pauses like the silent wood; the lights
went gold and crimson and the young dreams were singing. So vivid was
the mood that, when from time to time I was swept out on billows of
applause before the curtain, I fancied I saw him there, leaning to me,
now from a balcony, or standing unobserved in a box behind the
Sandersons' and some friends of his who had pleased, on his
introduction, to take a great interest in me. It was a wonderful night,
flooded with the certainty of success as by a full moon; we danced under
it in spirit--I believe that Polatkin kissed me; two of my young men I
saw with their hands on one another's shoulders, capering in the wings
as I was being drawn before the curtain again and again to bob and smile
like a cuckoo out of a clock, striking the perfect hour. And through it
all was the sense of my beloved, the leaf-light touch of his kiss on my
cheek, the pressure of his arm, so poignant that as I came out of the
theatre late with Effie and her husband, I thought I could not bear it
to go back to my room and find it empty.
"Willis," I said to my brother-in-law, "you must lend me my sister
to-night." I was sitting between them in the carriage, each of them
holding a hand. I do not know what they were able to get of my acting,
but nothing could have kept from them the knowledge of my tremendous
success. I could see though, that in his excited state it wasn't going
to be easy for him to spare his young wife, and that made it easier for
me as we drew up in front of my door to change my mind suddenly and send
her back with him. What really influenced me was the certainty that I
could not bear even for Effie to disturb the sense of my lover's
presence which I seemed to feel brooding over the room. I went up the
steps warm with it.
Public-domain text, read in full here on John Shaqi.
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