Notwithstanding, my mother's coming and the care she took of the baby,
seemed to make me, if anything, less prepared for the end. There were
new remedies of my mother's to be tried which appeared hopeful. I
recovered composure, thought of him as improving, when in fact it was
only I who was stronger for a few nights' uninterrupted sleep. Then
there was a day on which he was very quiet and she scarcely put him down
from her lap at all. I do not know what I thought of that, nor of the
doctor coming twice that day, unsummoned. I suppose my sensibilities
must have been blunted by the strain, for I recall thinking when Tommy
came home in the middle of the afternoon, how good it was we could all
have this quiet time together. It was the end of June. I remember the
blinds half drawn against the sun and the smell of lawns newly cut and
the damask rose by the window; I was going about putting fresh flowers
in the vases, a thing I had of late little time to do ... suddenly I
noticed Tommy crying. He sat close to my mother trying to make the
boy's poor little claws curl round his finger, and at the failure tears
ran down unwiped. I had never seen Tommy cry. I put down my roses
uncertain if I ought to go to him ... and all at once my mother called
me.
CHAPTER III
Very closely on the loss of my baby, of which I have spared you as much
as possible, came crowding the opening movement of my artistic career.
Within a month I was in a hospital in Chicago, recovering from the
disastrous termination of another expectancy that had come, scarcely
regarded in the obsession of anxiety and overwork during the last weeks
of my boy's life, and had failed to sustain itself under the shock of
his death. And after the hospital there was a month of convalescence at
Pauline's. It was the first time I had seen her since her marriage.
Public-domain text, read in full here on John Shaqi.
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