At the rehearsals I met Cecelia Brune, if anything prettier than before,
and quite perceptibly harder, and Jimmy Vantine, still in love with her,
still with his bald crown not quite clean and the same objectionable
habit of sidling about, fingering one's dress, laying hands on one as he
talked. I met Manager O'Farrell, not a whit altered, and Miss Laurine
Dean. I liked and I didn't like her. She drew by a certain warm charm of
personality that repelled in closer quarters by its odours of
sickliness. There was a quality in her beauty as of a flower kept too
long in its glass, not so much withered as ready to fall apart. She had
small appealing hands, such as moved one to take them up and handle
them, and served somehow to mitigate a subtle impression of impropriety
conveyed by her slight sidewise smile. She was probably good-natured by
temperament and peevish through excessive use of cigarettes. She made a
point of always speaking well of everybody, but it was a long time
before I learned that no sort of blame was so deadly as her
commendation. "Such a beautiful woman Miss Croyden is," she would say,
"isn't it a pity about her nose," and though I had never thought of
Sarah's nose as mitigating against her perfection, I found myself after
that thinking of it. You could see that magnanimity, which was her
chosen attitude, was often a strain to her. I do not think she had any
gift at all, but she had a perception of it that had enabled her to
produce a very tolerable imitation of acting and kept her, in a covert
way, inordinately jealous of the gift in others. She was jealous of
mine.
It was not all at once I discovered it. In the beginning, because I
never detected her in any of the obvious snatchings of lines and
positions that went on at rehearsals, but even making a stand for me
against incursions into my part which I was too unaccustomed to
forestall, I thought of her as being of rather better strain than most
of the company. I was probably the only member of it unaware of her
deliberate measures not to permit me such a footing as might lead to my
supplanting her with Manager O'Farrell, toward whom I began to find
myself in what, for me, was an interesting and charming relation. It was
a relation I should have been glad to maintain with any member of the
company, but it was only O'Farrell who found himself equal to it. I was
full and effervescing with the joy of creation; night by night as I felt
the working of the living organism we should have been, transmitting
supernal energies of emotion to the audience, who by the very
communicating act became a part of us, I felt myself also warming toward
my fellow players. I was so charged I should have struck a spark from
any one of them when we met, but for the fact that by degrees I
discovered that they presented to me the negative pole.
Public-domain text, read in full here on John Shaqi.
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