Children of the rich -- Fiction; England -- Social life and customs -- Fiction; Inheritance and succession -- Fiction
"That I don't know. After leaving Morgan last night I hunted for him
everywhere; wired to Paris, searched all over London. Nothing has been
heard of him at any of his old haunts for at any rate the last three
or four months; he seems to have vanished."
"Who discounted the bills?"
"That, also, I can't tell you; we shall probably hear all about that
from Mr. Morgan. What I want to learn is, legally, in what position do
I stand?"
"It's not easy to say. To begin with they'll have to prove that the
bills were forged."
"And then?"
"Then they'll have to produce Trevor. A man who is capable of behaving
as he has done is quite likely to be willing to swear that he received
the bills in their completed state from you."
"Which means?"
"Your word against his; to clear yourself you'll have to convict him,
which mayn't be easy, or agreeable for you."
"Sounds cheerful; especially as I'm to be married next week!"
"There's one hope for you."
"Only one? Let's have it."
"The fact that Miss Lindsay is in the next room. If she has anything
to do with it she'll even forgive you for allowing yourself to get
mixed up with such a scamp as Trevor; I know more about him than it
seems you do. That girl could forgive anybody anything, she's a saint
in embryo. I suggest that we invite her to come in here, and that we
then put to her some leading questions."
CHAPTER XXXIV
UNTO THE LIGHT
When Nora entered she looked from one man to the other, as if she
wondered by which of them her presence was desired. She declined the
chair which Mr. Hooper offered. On his persisting in his request to
her to be seated she observed, with the naïve mixture of humility and
pride which became her so well, that she would rather not sit, as she
was engaged in copying a passage which was more than usually involved,
and to which she would like to return as soon as she could. Mr.
Hooper, at her back, directed a glance at Mr. Clifford, of which, had
she intercepted it, she would probably have required a prompt
explanation.
"I think, Miss Lindsay," he said, "that it is possible that you will
do no more copying for me, and that the passage of which you speak may
remain unfinished."
She turned quickly round to him, alarm on her face.
"Mr. Hooper! Why do you say that? What have I done?"
"Everything you have done, Miss Lindsay, you have done excellently; if
you will permit me to ask you a few questions, you will understand why
I say it. Please sit down."
"Thank you; I much prefer to stand."
Public-domain text, read in full here on John Shaqi.
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