A Woman's Experiences in the Great WarMack, Louise
History
A Woman's Experiences in the Great War
Mack, Louise
World War, 1914-1918 -- Personal narratives
Is this brutal? Is it hard-hearted? Is it callous, indifferent, cruel?
_No_! For it bears no relation to our feelings for other people, _it
only relates to our own sensations about ourselves_. When a group of
wounded Belgians comes limping along, you look into their hollow,
blackened faces, you feel your heart break, and all your soul seems to
dissolve in one mighty longing to die for these people who have
sacrificed their all for _you_; and you run to them, you help them all
you can, you experience a passionate desire to give them everything you
have, you turn out your pockets for them, you search for something,
anything, that will help them.
No! You are not callous because you are curious! Quite the reverse, in
fact. You are curious because you are alive, because you dwell in this
one earth, and because you are created with the "sense" that you have a
right to see and hear all the strange and wonderful things, all the
terrors as well as all the glories that go to make up human existence.
Not to care, not to want to see, not to want to know, that is the
callousness beyond redemption!
CHAPTER XXXII
THURSDAY
Thursday is a queer day, a day of no beginning and no ending.
It is haunted by such immense noise that it loses all likeness to what
we know in ordinary life as "a day"--the thing that comes in between two
nights.
It is, in fact, nothing but one cataclysmal bang and shriek of shells
and shrapnel. The earth seems to break open from its centre every five
minutes or so, and my brain begins to formulate to itself a tremendous
sense of height and space, as well as of noise, until I feel as though I
am in touch with the highest skies as well as with the lowest earth,
because things that seem to belong essentially to earth are now
happening in the skies.
The roof of the world is now enacting a rôle that is just as strange and
just as surprising as if the roof of a theatre had suddenly begun to
take part in a drama.
One looks above as often as one looks below or around one.
Flinging themselves forward with thin whinging cries like millions of
mosquitoes on the attack, the shrapnel rushes perpetually overhead, and
the high-explosive shells pour down upon the city, deafening,
stupefying, until at last, by the very immensity of their noise, they
gradually lose their power to affect one, even though they break all
round.
Instead of listening to the bombardment I find myself listening crossly
to the creaking of our lift, which makes noises exactly like those of
the shrapnel outside.
In fact, when I am in my bedroom, and the lift is going up and down, I
really don't know which is lift and which is shrapnel.
* * * * *
Seven o'clock on Thursday morning.
The bombardment goes on fiercely, but I forget about it here in the big,
bare, smoky café, because I cannot hear the lift.
A waiter brings me some coffee and I stand and drink it and look about
me.
Public-domain text, read in full here on John Shaqi.
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