A world of green hills : $b Observations of nature and human nature in the Blue RidgeTorrey, Bradford
History
A world of green hills : $b Observations of nature and human nature in the Blue Ridge
Torrey, Bradford
Bird watching; Blue Ridge Mountains -- Description and travel; Natural history -- Outdoor books
accepted them as of patriotic significance, tokens of national unity.
My informant, by the way, was the same man, a young West Virginian, who
had told me where to look for Washington’s initials on the wall of the
bridge. My specialties appealed to him in a measure, and he confessed
that he wished he were a botanist. He was always very fond of flowers.
His side had been victorious in the ball game, he said, in answer to
my inquiry. Some of the players must have come from a considerable
distance, it seemed, as there was no sign of a village or even of a
hamlet, so far as I had discovered, anywhere in the neighborhood.
The Bridge is not in any township, but simply in Rockbridge County,
after a Virginia custom quite foreign to a New Englander’s notions of
geographical propriety.
The prospect from Mount Jefferson was beautiful, as I have said, but
on my return I happened upon one that pleased me better. I had been
down through Cedar Creek ravine, and had taken my own way out, up the
right-hand slope through the woods, noting the flowers as I walked,
especially the blue-eyed grass and the scarlet catchfly (battlefield
pink), a marvelous bit of color, and was following the edge of the
cliff toward the hotel, when, finding myself still with time to spare,
I sat down to rest and be quiet. By accident I chose a spot where
between ragged, homely cedars I looked straight down the glen--over a
stretch of the brook far below--to the bridge, through which could be
seen wooded hills backed by Thunder Mountain, long and massive, just
now mostly in shadow, like the rest of the world, but having its lower
slopes touched with an exquisite half-light, which produced a kind of
prismatic effect upon the freshly green foliage. It was an enchanting
spectacle and a delightful hour. Now my eye settled upon the ravine
and the brook, now upon the arch of the bridge, now upon the hills
beyond. And now, as I continued to look, the particulars fell into
place,--dropping in a sense out of sight,--and the scene became one.
By and by the light increased upon the broad precipitous face of the
mountain, softness and beauty inexpressible, while the remainder of the
landscape lay in deep shadow.
I fell to wondering, at last, what it is that constitutes the peculiar
attractiveness of a limited view--limited in breadth, not in depth--as
compared with a panorama of half the horizon. The only answer I gave
myself was that, for the supreme enjoyment of beauty, the eye must
be at rest, satisfied, with no temptation to wander. We are finite
creatures with infinite desires. The sight must go far,--to the rim of
the world, or to some grand interposing object so remote as to be of
itself a natural and satisfying limit of vision; and the eye must be
held to that point, not by a distracting exercise of the will, but by
the quieting constraint of circumstances.
Public-domain text, read in full here on John Shaqi.
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