A world of green hills : $b Observations of nature and human nature in the Blue RidgeTorrey, Bradford
History
A world of green hills : $b Observations of nature and human nature in the Blue Ridge
Torrey, Bradford
Bird watching; Blue Ridge Mountains -- Description and travel; Natural history -- Outdoor books
This song, which the reader will perhaps blame me for trying thus
to analyze (I shall not blame _him_), very soon grew to be almost a
part of the glen; so that I never recall the brook and the cliffs
without seeming to hear it rising clear and sweet above the brawling
of the current; and when I hear it, I can see the birds flitting up
or down the creek, just in advance of me, with sharp _chips_ of alarm
or displeasure; now balancing uneasily on a boulder in mid-stream
(a posterior bodily fluctuation, half graceful, half comical,
slanderously spoken of as teetering) and singing a measure or two, now
taking to an overhanging branch, sometimes at a considerable height,
for the same tuneful purpose. One acrobatic fellow, I remember, walked
for some distance along the seemingly perpendicular face of the cliff,
slipping now and then on the wet surface and having to “wing it” for
a space, yet still pausing at short intervals to let out a song. In
truth, the happy creatures were just then brimming over with music;
and if I seem to praise their efforts but grudgingly, it is to be
said, on the other hand, in justice to the song and to myself, that my
appreciation of it grew as the days passed. Whatever else might be true
of it, it was the voice of the place.
Of birds beside the rough-wings and the water thrushes there were
surprisingly few in the glen, though, to be sure, there may well have
been many more than I found trace of. The splashing of a mountain brook
is very pleasing music,--more pleasing, in itself considered, than the
great majority of bird-songs, perhaps,--but an ornithological hobbyist
may easily have too much of it. I call to mind how increasingly
vexatious, and at last all but intolerable, a turbulent Vermont
stream (a branch of Wait’s River) became to me, some years ago, as it
followed my road persistently mile after mile in the course of a May
vacation. One gets on the track of the smaller birds through hearing
their faint calls in the bushes and treetops; and how was I to catch
such indispensable signals with this everlasting uproar in my ears? So
it was here in Cedar Creek ravine; it would have to be a pretty loud
voice to be heard above the din of the hurrying water. And the birds,
on their side, had something of the same difficulty; or so I judged
from the unconventional behavior of a blue yellow-backed warbler that
flitted through the hanging branches of a tree within a few inches of
my hat, having plainly no suspicion of a human being’s proximity. The
tufted titmouse could be heard, of course. He would make a first-rate
auctioneer, it seemed to me, with his penetrating, indefatigable voice
and his genius for repetition. Now and then, too, I caught the sharp,
sermonizing tones of a red-eyed vireo. Once an oven-bird near me
mounted a tree hastily, branch by branch, and threw himself from the
top for a burst of his afternoon medley; and at the bridge a phœbe sat
calling.
Public-domain text, read in full here on John Shaqi.
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