A Writer's Recollections — Volume 2Ward, Humphry, Mrs.
General
A Writer's Recollections — Volume 2
Ward, Humphry, Mrs.
Novelists, English -- 19th century -- Biography; Novelists, English -- 20th century -- Biography; Ward, Humphry, Mrs., 1851-1920
The appearance of _David Grieve_ in February, 1892, four years after
_Robert Elsmere_, was to me the occasion of very mixed feelings. The
public took warmly to the novel from the beginning; in its English
circulation and its length of life it has, I think, very nearly equaled
_Robert Elsmere_; only after twenty-five years has it now fallen behind
its predecessor. It has brought me correspondence from all parts and all
classes, more intimate and striking, perhaps, than in the case of any
other of my books. But of hostile reviewing at the moment of its
appearance there was certainly no lack! It was violently attacked in the
_Scots Observer_, then the organ of a group of Scotch Conservatives and
literary men, with W.E. Henley at their head, and received unfriendly
notice from Mrs. Oliphant in _Blackwood_. The two _Quarterlies_ opened
fire upon it, and many lesser guns. A letter from Mr. Meredith Townsend,
the very able, outspoken, and wholly independent colleague of Mr. Hutton
in the editorship of the _Spectator_, gave me some comfort under these
onslaughts!
I have read every word of _David Grieve_. Owing to the unusual and
unaccountable imbecility of the reviewing--(the _Athenaeum_ man, for
example, does not even comprehend that he is reading a
biography!)--it may be three months or so before the public fully
takes hold, but I have no doubt of the ultimate verdict.... The
consistency of the leading characters is wonderful, and there is not
one of the twenty-five, except possibly Dora--who is not human
enough--that is not the perfection of lifelikeness.... Louie is a
vivisection. I have the misfortune to know her well ... and I am
startled page after page by the accuracy of the drawing.
Walter Pater wrote, "It seems to me to have all the forces of its
predecessor at work in it, with perhaps a mellower kind of art." Henry
James reviewed it--so generously!--so subtly!--in the _English
Illustrated_. Stopford Brooke and Bishop Creighton wrote to me with a
warmth and emphasis that soon healed the wounds of the _Scots Observer_;
and that the public was with them, and not with my castigators, was
quickly visible from the wide success of the book.
Public-domain text, read in full here on John Shaqi.
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