These volumes contain not the highest, but a very practicable wisdom, which startles and provokes, rather than informs us. Carlyle does not oblige us to think; we have thought enough for him already, but he compels us to act. We accompany him rapidly through an endless gallery of pictures, and glorious reminiscences of experiences unimproved. “Have you not had Moses and the prophets? Neither will ye be persuaded if one should rise from the dead.” There is no calm philosophy of life here, such as you might put at the end of the Almanac, to hang over the farmer’s hearth, how men shall live in these winter, in these summer days. No philosophy, properly speaking, of love, or friendship, or religion, or politics, or education, or nature, or spirit; perhaps a nearer approach to a philosophy of kingship, and of the place of the literary man, than of anything else. A rare preacher, with prayer, and psalm, and sermon, and benediction, but no contemplation of man’s life from the serene oriental ground, nor yet from the stirring occidental. No thanksgiving sermon for the holydays, or the Easter vacations, when all men submit to float on the full currents of life. When we see with what spirits, though with little heroism enough, wood-choppers, drovers, and apprentices take and spend life, playing all day long, sunning themselves, shading themselves, eating, drinking, sleeping, we think that the philosophy of their life written would be such a level natural history as the Gardener’s Calendar and the works of the early botanists, inconceivably slow to come to practical conclusions. There is no philosophy here for philosophers, only as every man is said to have his philosophy. No system but such as is the man himself; and, indeed, he stands compactly enough; no progress beyond the first assertion and challenge, as it were, with trumpet blast. One thing is certain,—that we had best be doing something in good earnest henceforth forever; that’s an indispensable philosophy. The before impossible precept, “_know thyself_,” he translates into the partially possible one, “_know what thou canst work at_.” Sartor Resartus is, perhaps, the sunniest and most philosophical, as it is the most autobiographical of his works, in which he drew most largely on the experience of his youth. But we miss everywhere a calm depth, like a lake, even stagnant, and must submit to rapidity and whirl, as on skates, with all kinds of skilful and antic motions, sculling, sliding, cutting punch-bowls and rings, forward and backward. The talent is very nearly equal to the genius. Sometimes it would be preferable to wade slowly through a Serbonian bog, and feel the juices of the meadow.