A year in China : $b and a narrative of capture and imprisonment, when homeward bound, on board the rebel pirate FloridaWilliams, Martha Noyes
General
A year in China : $b and a narrative of capture and imprisonment, when homeward bound, on board the rebel pirate Florida
Williams, Martha Noyes
Capture at sea -- Personal narratives; China -- Description and travel; Piracy -- Personal narratives
The eye of the visitor, on entering this hall, is first greeted by two
gigantic gilded wooden images elevated on high pedestals, and placed
one on each side of the door. They are fat and jolly in appearance,
and, sitting in a half reclining posture, are playing with little
children. The merrily genial and gay physiognomy of one of them
reminded us of Hackett’s Falstaff, and his laughing face was quite as
irresistible. Merry little children, in all kinds of baby attitudes,
were sitting upon his knees, and also standing upon his feet and
arms, or climbing upon his shoulders. Some of them were pointing,
or pulling at his hair, eyes, and mouth; seemingly intent, in every
conceivable manner, upon getting all the fun they could out of the old
fellow, who appeared to be the happiest,--not of gods,--but mortals.
To be childless is regarded by the Chinese as the greatest of all
misfortunes; and these gods were doubtless intended to set forth the
happiness of a parent. This large apartment was nearly filled with
images, all of which were not only well kept, but as brilliant as gilt,
paint, and bronze could make them. They were placed on shelves eight
or ten feet in height, and arranged in a sitting posture, facing each
other, with long passages between. They were represented in a variety
of attitudes,--often with uplifted arms,--while some had six or eight
arms, and one we observed with five eyes. Beyond these rows of idols,
seated under a rich canopy, were large images of the Past, Present, and
Future Buddha; and a little in front, in a sitting posture, there was
a statue of Kien-lung, the Emperor, whom Lord Amherst saw at Peking.
He was here represented gorgeous in gilt and paint, and arrayed in his
royal robes. This temple contains representations of nearly, if not
all, the heathen deities of the East, and painfully impresses one with
a sense of the moral darkness and gross superstition of the people. It
deserves to be called the Pantheon of Canton.
The abbots of the Buddhist monasteries are not often seen, and
rarely honor visitors with any particular civility. At the Temple of
Longevity, however, the names of the gentlemen of our party being sent
in, the abbot made his appearance in the reception-room, and treated
us with distinguished attention. This room was furnished with chairs
and sundry little tables, and opened upon a lovely garden, well
supplied with trees, shrubs, and plants, and otherwise beautified with
little artificial ponds, zigzag bridges, cascades, grottoes, and other
rock-work. The space occupied by it was small; but we were assured that
it was the handsomest garden in the city. A cup of tea of exquisite
flavor, together with some delicious dried and confectioned fruits were
served; while the abbot--who was a man of gentle address and quiet
manners--condescended to join us in our repast, while, at the same
time, he held some conversation with Mr. G----.
Public-domain text, read in full here on John Shaqi.
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